Everyday life across Jos streets, shops, and landmarks

An eye-level, full shot captures a three-wheeled motorized rickshaw, commonly known as an auto-rickshaw or Keke Napep, driving on a paved road under a clear sky. The auto-rickshaw, painted in a distinct green, yellow, and orange livery, has "PTA-6442" painted in white on its front side panel. Three individuals are seated inside the vehicle; one driver in the front and two passengers in the back, all appearing to be adults. The passengers are wearing traditional attire. In the background, a modern, grey, two-story building with numerous windows is visible. To the right of the building, a large, abstract architectural structure, primarily white with blue accents, arches over a pathway. This landmark is topped with a yellow, globe-like sculpture adorned with a decorative pattern. In front of the building and landmark, there are trimmed green bushes and a grey chain-link fence. The environment suggests an urban setting, likely a public space or a governmental area. The overall lighting indicates it is daytime, with a slight glare on the auto-rickshaw's windshield. The specific location is implied to be Jos, Nigeria, based on the presence of the architectural landmark and the type of vehicle.

The image depicts a wide view of a street scene in Jos, Nigeria, dominated by a modern, multi-story white building with dark windows. A white metal fence runs along the foreground, separating a dry, sparsely vegetated area from a paved walkway. On the walkway, a person is riding a motorcycle. The sky is pale blue with scattered clouds. In the background, trees and a tall antenna are visible. The overall impression is one of an urban or semi-urban environment under daylight conditions.

In Jos, Nigeria, this image captures a scene outside a modest structure, possibly a small shop or eatery. The building features corrugated metal walls, one section painted red, and the other in a lighter, possibly weathered, metallic color. Wooden beams frame the entrance, which is open, revealing a glimpse of the interior where a person is seated. Outside the structure, a wooden plank serves as a makeshift bridge or walkway over a narrow channel or gutter. On this plank, two dark plastic basins are placed; one is a shallow, wide bowl containing water, and the other is a taller bucket, also with water. To the right of these, on the ground, is a bright red bucket. Behind these, and closer to the building, a large blue plastic basin with "HAPPY FAMILY" written on its side sits on the ground. Adjacent to the entrance, to the left, is a large wooden mortar, a traditional tool for grinding. A person is visible inside the structure, seated on a stool, with their back mostly to the camera. They appear to be engaged with something in their hands, possibly a phone. Another person, partially visible, is standing near the entrance. The ground in front of the structure is a rough, paved surface, and the area around the building shows signs of wear and tear, with some green moss or algae visible on the concrete channel. The lighting suggests it is daytime, with shadows indicating the sun's position.

In Jos, Nigeria, a statue of a man on a white horse stands amidst lush greenery and tall grasses. The statue is mounted on a pedestal. The surrounding environment is characterized by dense foliage and trees, with a concrete wall lining what appears to be a channel of water in the foreground. A small portion of a corrugated iron roof structure is visible through the trees in the background. The scene is outdoors and appears to be a garden or park setting.

A charcoal sketch is in progress on a white sheet of paper, pinned to a wooden surface with a yellow pushpin. The sketch appears to be of a tree, with rough, dark lines indicating its trunk and branches, and shaded areas suggesting foliage. A dark-colored pencil is held by a person's hand, actively engaged in drawing on the paper. The wooden surface beneath the paper is worn and appears to be part of an artist's workspace, with faint colorful marks scattered across it. A shadow falls across the left side of the paper, obscuring part of the drawing. The scene is set outdoors, indicated by the natural lighting and the weathered appearance of the wooden surface. This image could be from anywhere with an artist's studio or outdoor workspace, including a city like Jos, Nigeria.

The image shows a static display of a vintage steam locomotive housed under a corrugated metal roof supported by rusty metal beams. The locomotive is dark gray with an orange-colored front buffer beam. The area is an outdoor covered space, likely part of a park or historical site, with gravel on the ground and some greenery visible beyond the structure. A narrow gauge railway track is present in front of the locomotive. In the background, there are wooden stools and a brick wall. The setting appears to be a public space. The image is taken from a low angle, looking up at the train and the roof. The lighting suggests it is daytime, with some sunlight filtering through the trees. This scene is located in the city of Jos, Nigeria.

A medium shot captures a man in a black suit jacket and blue shirt standing near a tree. The man is positioned slightly to the right of the frame, with his body angled towards the right. He appears to be looking downwards. Behind him, a white fence with barbed wire runs horizontally across the scene, separating the foreground from a building and vehicles in the background. A white vehicle, possibly a police car with red and blue lights visible on top, is parked behind the fence. Further to the right, a dark blue minivan is also visible. In the foreground, manicured green bushes form a row along the fence. The ground in front of the bushes appears to be a paved walkway or road, with a drainage ditch running alongside it. The scene suggests an outdoor setting in an urban area, possibly a government or corporate compound in Jos, Nigeria, given the presence of security features like the fence and barbed wire, and the types of vehicles depicted.

In an outdoor scene on a paved road in Jos, Nigeria, a woman walks away from the viewer. She wears a maroon top and a patterned skirt, with a blue headwrap. She balances a large tray of goods, possibly food items, on her head. In her right hand, she carries a light-colored plastic bucket by its handle, which dangles at her side. The road is bordered on the right by a drainage ditch and a white wall topped with barbed wire, with lush green bushes in front of it. On the left, another paved area is visible, with a parked silver sedan and what appears to be a white SUV further down the road. The background features a dense canopy of green trees and a tall transmission tower against a pale blue sky. The overall impression is of a sunny day in a residential or commercial area.

The image captures a street scene in Jos, Nigeria, likely a food stall or small eatery. In the foreground, a person in a yellow t-shirt stands on a paved surface. To their left, another person in a grey top and a pale skirt is visible. Behind them, a structure with a corrugated metal roof and open sides houses cooking activities. A person in a red shirt is bent over, tending to pots on a stove. Various cooking pots, utensils, and containers are present in the immediate vicinity of the cooking area. A narrow drain or channel runs along the front of the stall, with water and some debris visible within it. The environment appears to be outdoors, with some greenery suggested by the blurred foliage at the top of the image. The overall quality of the image is low, with significant blur affecting the details of people and objects.

This media file shows a close-up, portrait-style image of a young Black man. He is wearing a white shirt, and a portion of a yellow wall is visible in the background. The man's face is turned slightly towards the viewer, and he appears to be looking at the camera. He has short, dark hair and a light beard. Two pens, one red and one blue, are clipped to the pocket of his shirt. The lighting suggests it could be daytime. The image has a portrait orientation, and the subject is framed from roughly the chest up. The overall mood is neutral. There is no visible text in the image. The location context is Jos, Nigeria.

The video opens with a close-up of a person's cupped palm held upwards, catching raindrops or hailstones. The hand is dark-skinned and appears wet. In the background, a street scene is visible, with a scooter parked on the left side and a building with stairs in the background. The ground is wet and appears to be a dirt or gravel surface with some paved areas. The lighting suggests an overcast or rainy day. The camera then zooms in slightly on the palm, showing a small, round, white object resting in it, likely a hailstone, as it begins to melt and distort. The scene then shifts to a wider shot of the same hand and the street environment, with more of the hail or raindrops visible falling. The focus is still on the hand and the falling precipitation. The video ends with a slightly blurry shot of the hand and the surrounding environment.

The image shows a young Black man wearing a red sleeveless shirt with a white emblem on the front and dark denim jeans. He has braids and is wearing headphones around his neck. He is holding a smartphone in his right hand and a white plastic bag in his left. The man is sitting in front of shelves stocked with various electronic accessories, including phone chargers, power banks, and earbuds. The background suggests an electronics store. The man appears to be looking towards the camera and smiling. The scene takes place in the city of Jos, Nigeria.

The image shows a vintage steam locomotive parked under a corrugated metal roof supported by metal poles. The locomotive is dark green with an orange-painted front section. It sits on a gravel track. In the background, there are trees, lush green vegetation, and a brick wall. There are no people visible in the immediate vicinity of the train. The scene appears to be an outdoor display or museum in a natural setting, possibly a park or heritage site. The overall impression is one of historical preservation.

The image depicts an outdoor scene under a corrugated metal roof, possibly a covered patio or shelter. In the foreground, a rusty metal pole is visible on the left. The background features a building with a light-colored facade and a series of regularly spaced windows and vertical red structural elements. A prominent feature of the scene is a wall constructed from interlocking concrete blocks, each with a circular opening. Mounted on this wall, near the top, is a black tire, with some greenery visible inside it. To the left of the tire, a small blue sign with white text is affixed to the wall. Below this, a small wooden table and chair set is positioned. The overall environment appears to be a communal area or a functional outdoor space. The location is specified as Jos, Nigeria.

The image depicts a close-up view of a large, red-painted tire that appears to be repurposed as a planter or decorative element. A trailing plant with dark purple and green striped leaves is growing out of and around the tire. The tire is positioned outdoors, with elements of a natural and somewhat unkempt environment visible. In the background, to the left of the tire, a concrete structure, possibly a drainage channel or wall, is visible. It is lined with lush green vegetation, predominantly tall grasses and broader-leafed plants. The ground around this area is covered with a mix of dry leaves and soil. To the right of the tire, a section of what looks like old, disused railway tracks is present. The tracks are made of metal rails resting on wooden or concrete sleepers, and they are surrounded by dry leaves, soil, and sparse green weeds. Beyond the tracks, a dirt path is visible, and further in the distance, there are trees and some structures, suggesting a semi-rural or park-like setting within a city. The lighting suggests it is daytime, with sunlight filtering through the foliage, creating some dappled shadows. There are no people visible in the frame. The overall impression is one of an outdoor space that incorporates salvaged materials and natural elements, possibly in an urban garden or a creative landscaping project. While the image contains elements common to many outdoor environments, without specific landmarks or context within Jos, Nigeria, it is impossible to definitively pinpoint the exact location within the city. The scene is consistent with the types of resourceful and eclectic garden designs that might be found in various parts of Jos.

The image depicts an outdoor scene in Jos, Nigeria, characterized by a natural, somewhat overgrown environment with signs of human activity. A prominent, large tree with textured bark dominates the left side of the frame, its branches reaching upwards and silhouetted against a bright, overcast sky. To the right of this tree, a rough, sandy path leads into the distance, bordered by lush green grass and vegetation. Along the path, there are several elements indicating a recreational or seating area. Two dark-colored benches are visible. One, nearer the foreground, is a simple, slatted design angled on the grass. Another, further down the path, is a more substantial bench with a backrest. In the middle ground, to the right of the path, a series of picnic tables with benches are arranged. These tables are dark and appear to be made of wood and metal. A distinctive feature in the mid-ground is a long, narrow structure resembling a raised trough or planter, lined with what appear to be stacked tires or similar segmented material. This structure also has a slatted surface on top, suggesting it could serve as a seating area or a raised garden bed. Some fallen leaves and debris are scattered within and around this structure. Further in the background, behind the trees and vegetation, hints of buildings are visible, suggesting the area is not entirely isolated. The overall impression is of a park or a garden space, possibly within a larger settlement, with elements of both natural landscape and man-made structures for leisure. The lighting suggests it is daytime, but the sky is overcast, creating diffused light. There are no people visible in the image.

A concrete channel, possibly an irrigation or drainage ditch, runs through a verdant, overgrown area. The channel is partially filled with murky water, reflecting the surrounding foliage and the sky. Along one edge of the channel, there is a low concrete embankment covered in lush green grass and dense vegetation. On this embankment, a white rocking horse with a rider is positioned. The scene is framed by a canopy of mature trees with dense green leaves, with some branches and leaves extending into the foreground and obscuring parts of the sky. The overall impression is one of natural overgrowth in an urban or semi-urban setting. This scene is located in Jos, Nigeria.

This is a low-angle photograph looking up through the canopy of trees towards a hazy sky. On the left side of the frame, elongated, dark green leaves hang from thin branches, silhouetted against the lighter sky. These branches appear to be part of a eucalyptus tree, characterized by their slender, drooping leaves. To the right and further back, a denser, darker mass of foliage suggests another tree, possibly a mango tree, with a more rounded and bushy appearance. The sky is a pale blue with a noticeable haze or cloud cover, giving the impression of a bright but overcast day. The image lacks any human presence or activity, focusing solely on the natural elements of the trees and sky. The context of Jos, Nigeria, implies this scene is likely from an outdoor environment within the city, such as a park, garden, or roadside with mature trees.

A close-up, vertical, eye-level shot features an orange Fanta bottle. The bottle is positioned in the foreground, slightly angled, with condensation droplets visible on its surface. The label on the bottle is partially visible, displaying the Fanta logo in white lettering on a blue background. Text on the label includes "orange flavoured drink," "STAND A CHANCE TO WIN A SHARE OF N600m IN CASH & PRIZES," "Per 25 cl Energy 90 kcal 5% GDA," and "50 cl." The background is softly blurred, suggesting it is out of focus. It appears to be an outdoor setting with elements of a weathered structure, possibly a fence or wall with a patterned texture, and some vegetation. The ground beneath the bottle appears to be sandy or gravelly. The overall lighting suggests it is daytime. The image is situated in Jos, Nigeria.

A full bottle of Fanta orange flavored drink sits upright on a gritty surface. The bottle has a blue cap and the orange liquid is visible inside. The Fanta label is clearly visible, featuring the brand name in white letters against an orange background. Text on the label indicates "orange flavoured drink" and "50 cl". There is also smaller text in a vertical orientation reading "RECYCLE ME". The bottle is positioned in front of a backdrop that includes a corrugated metal roof, a piece of weathered wood, and a blurred background of trees and buildings. The lighting suggests it is daytime. The scene is likely an outdoor setting, possibly in Jos, Nigeria, given the presence of the Fanta brand and the commonality of such outdoor spaces. No people are visible in the frame.

The video displays a close-up shot of an orange Fanta bottle. The bottle is placed on a surface covered with small stones and some green specks, possibly moss or dirt. The Fanta logo and some text are visible on the label of the bottle. The camera is positioned slightly above and to the side of the bottle, capturing its upper portion and a portion of the label. The lighting appears to be natural, with some shadows cast on the bottle and the surrounding surface. The overall scene is outdoors, suggesting the bottle is resting on a path or ground.

This image depicts a street scene in Jos, Nigeria, focusing on two women walking. The woman on the left wears sunglasses, a brown knitted cap, and a black t-shirt with a circular logo on the chest, paired with grey cargo pants and sandals. She carries a light yellow shopping bag and a white object, possibly a phone. The woman on the right wears a black t-shirt with a similar logo and dark pants. She has white earbuds in and carries a white plastic shopping bag. They appear to be walking away from the camera on a dirt path. The background shows a market setting with stalls covered by corrugated metal and fabric awnings, suggesting a bustling commercial area. Other individuals are partially visible in the background, some tending to market goods, and one man wearing green rubber boots and a cap. The overall environment is outdoors, likely during daylight hours.

The image shows a close-up of a sketch of a face being drawn with charcoal or graphite on white paper. The sketch is partially completed, with darker shading for the hair and facial features and lighter, fainter lines for the outline and more subtle details. A purple pencil is visible at the bottom right of the paper, suggesting it is being used for the drawing. The paper is placed on a wooden surface, possibly a table or easel, which appears to be weathered and has traces of colorful paint splatters. A yellow thumbtack is used to secure the paper to the wooden surface on the right side. The scene is lit by a strong light source from the left, casting a shadow across the paper. There are no people clearly visible in the image, only the artist's tools and the work in progress. The environment does not provide any specific indicators of its location within Jos, Nigeria.

The image shows a close-up of a hand holding a purple pencil over a sheet of paper. The paper contains a charcoal sketch of what appears to be a donkey's head and part of its body. The sketch is rendered with varying degrees of shading and detail, with some areas appearing more finished than others. The paper is placed on a textured surface, likely a wooden table, with a few splotches of green and yellow paint visible in the background. A portion of blue-lined paper is also visible beneath the sketchpad. The lighting suggests it is daytime, with a strong shadow cast across the sketch, indicating a light source from the right. The overall mood is one of focused artistic creation. The context provided is Jos, Nigeria. No visible text is present on the sketch or the surrounding materials.

This image depicts the interior of a mobile phone shop in Jos, Nigeria. In the foreground, a woman is holding a baby wrapped in a red and blue blanket with a bear design. She is wearing a dark blue and white striped dress. To her left, a man in a patterned shirt is partially visible. To her right, another man wearing a black baseball cap and a pink shirt is visible from the chest up. He is looking to his left and holding a mobile phone. The shop is well-lit with overhead lighting and display shelves filled with mobile phones. The shelves are organized with phones in boxes and some displayed on stands. Brands like "Redmi" and "Infinix" are visible on the boxes. Above the shelves, more boxes and electronic devices are displayed. The ceiling is adorned with wooden slats and features modern lighting fixtures. The overall environment suggests a busy retail setting for electronic devices.

The image shows a display case in a store, likely a mobile phone shop in Jos, Nigeria. The primary subjects are boxes of smartphones. Two distinct brands are visible: "itel" and "REDMI". Several boxes of the "itel A100C" model are stacked. These boxes are white with red accents and feature images of the phone itself, highlighting specifications like "90Hz 6.6 Super Clear Display," "8GB RAM," and "64GB ROM." The "MIL-STD 810H" certification is also prominent, suggesting durability. Additionally, a box for the "REDMI A7 Pro" is partially visible. This box is predominantly red and white and advertises a "New 6.9" display" and a large "6000mAh (typ) battery." The background shows reflections of what appear to be other store shelves or products, suggesting an indoor setting. The lighting appears to be artificial, typical of a retail environment. No people are clearly visible, though a hint of a pink fabric might suggest clothing of a person present but out of frame or obscured. The overall impression is one of organized retail display showcasing consumer electronics. There are no indicators of the time of day or weather conditions.

The image is a close-up, angled shot of a promotional poster for a Redmi A7 Pro smartphone. The top of the poster features large, bold text that reads "REDMI A7 Pro". Below this, key features of the phone are highlighted with icons: "Immersive 6.9" display", "Massive 6000mAh battery", and "Powered by Xiaomi HyperOS". A large, stylized image of the Redmi A7 Pro phone is prominently displayed, showcasing its screen with a colorful, abstract wallpaper. The bottom portion of the poster details an exclusive benefit: "75,000NGN exclusive benefit awaits", followed by smaller icons and text describing offers such as "6 Months Screen Insurance", "Unlock 2 months of ad-free music with Spotify Premium", and "While supplies last Bottle of Oil". The overall presentation suggests a retail or advertising context, likely within a city in Nigeria, given the mention of NGN (Nigerian Naira). There is no visible indication of the city of Jos specifically within the image content.

The image depicts the interior of a mobile phone shop in Jos, Nigeria. Two young men are seated on a bench in front of a prominent display counter featuring the "itel" logo. One man, wearing a red sleeveless shirt and headphones around his neck, is looking down at his phone. The other man, in a patterned shirt and headwrap, is also looking down. The shop is well-stocked with mobile phones and accessories displayed on shelves behind the counter. Products are neatly arranged in their packaging, with a variety of brands and models visible. There's a glass display cabinet to the right showcasing more items, likely phones or accessories. The ceiling features a modern design with wooden slats and integrated lighting, and decorative rope lights hang from above. The overall impression is of a clean, organized retail environment catering to the sale of mobile devices and related products.

The image shows the interior of a brightly lit electronics store, likely a mobile phone shop, in Jos, Nigeria. The store features extensive shelving filled with mobile phones and accessories displayed in their packaging. A security monitor is visible at the top, displaying multiple camera feeds. Two young women are present, appearing to be either employees or customers. One woman, wearing a blue shirt, is interacting with a smartphone, while the other, wearing a black shirt, is also looking at a phone. The overall environment suggests a commercial establishment focused on the sale of mobile devices.

In the city of Jos, Nigeria, a person wearing an orange hijab and a patterned skirt walks on a paved street. The person is holding a black plastic bag. The background shows several cars, a van, and buildings. The sky is cloudy.

The image shows a close-up view of a ceiling in a building, likely a restaurant or cafe, with decorative wooden slatted panels. A rope-suspended light fixture with a visible incandescent bulb hangs from the ceiling. The ceiling structure appears to be a combination of the wooden panels and a white painted section that shows signs of peeling paint. The lighting is warm and bright, emanating from the bulb. There are no people or actions depicted in the image. The scene is indoors and provides no specific clues to its location within the city of Jos, Nigeria.

The image shows a well-lit display cabinet in a retail store, likely a mobile phone shop. The cabinet is divided into several shelves showcasing various electronic devices, predominantly smartphones and speakers. On the top shelf, several portable Bluetooth speakers are displayed in their original packaging. Brands visible include JBL and VAIO. The shelves below are filled with smartphones, mostly iPhones, arranged neatly. They are presented either individually on stands or in their boxes. The phones vary in color and model, with labels indicating prices and specifications. Some shelves also display accessories like chargers or cables. The overall environment appears clean and organized, typical of a retail setting. The lighting is bright, highlighting the products. The presence of a security camera visible in the top left corner of the image suggests a focus on security within the store. The specific location within Jos, Nigeria, cannot be determined from the image alone.

The image shows a display case filled with iPhones. The display case is made of wood and glass and is illuminated by warm LED lights. There are multiple shelves in the display case, each with several iPhones arranged neatly. The iPhones are of various models and colors, including white, silver, blue, red, and black. Some of the iPhones have price tags or labels attached to them. The display case is situated in front of a dark, ribbed wall. The overall scene suggests a retail environment, likely a phone store. Without further information, it is not possible to determine the specific location in Jos, Nigeria, or any details about people, actions, or interactions.

The image displays a clear, bright sky with the sun positioned centrally, emitting a strong glare and a vertical sunbeam. A small, green lens flare is visible to the right of the sun. In the lower right corner, a portion of a dark, tiled roof with a subtle shadow is visible, suggesting an outdoor perspective. A few wispy clouds are present near the roofline, with a fainter cloud formation higher in the sky to the right. The overall scene suggests a sunny day in Jos, Nigeria.

A person with dark skin, wearing a red t-shirt, black jeans, and a black bracelet, sits in front of a shelf filled with electronic devices. The person has braided hair and is wearing silver headphones around their neck. Their left hand is resting on their face, with their fingers near their eye. Behind them, a person wearing a patterned headscarf is visible. The environment appears to be a retail store or electronics shop. The person's expression suggests contemplation or fatigue. The lighting is bright, creating some glare on the surfaces. The overall scene captures a moment of stillness and introspection within a commercial setting.

The image shows a retail display of mobile phones and accessories, likely in a phone shop located in Jos, Nigeria. A woman with braided hair is partially visible, looking towards the camera. She is wearing a black top and a necklace. The display cases are filled with various items, including boxed smartphones and chargers. Prominent brands visible on the packaging include "Vaib," "QIDA," "aralmo," and "REDMI." Some of the text indicates product names and specifications like "PowerGO 2100 20000," "Charger Pulse I 12W USB-A Port," and "Smart Watch Fit 020." There's also a smartphone displayed with the text "A100 6.75" Bright Color Display" on its stand. The lighting suggests it's daytime, with artificial lights illuminating the products within the display cases. The overall scene depicts a commercial environment focused on electronics sales.

A person with braided hair, wearing a dark blue t-shirt and black pants, stands in a mobile phone store in Jos, Nigeria. The store displays numerous mobile phones on shelves, illuminated by warm, yellow lights. In the foreground, a white display unit with a pastel gradient screen is visible. The floor is tiled with a wooden pattern. The shelves contain a variety of phone models, some in their boxes and others displayed individually. A promotional sign titled "Share & Win" is positioned on the left side of the store, offering a chance to win a phone. The overall environment suggests a retail setting focused on electronics sales.

In a brightly lit electronics store in Jos, Nigeria, a Black man with braided hair, wearing a red sleeveless shirt and distressed black jeans, sits and looks at his smartphone. He has headphones around his neck and wears several bracelets and rings on his hands. To his left, a Black woman with a patterned headscarf peers at the camera with wide eyes. The store's shelves are stocked with various electronic devices, including phones, headphones, and accessories. A black handbag rests on a nearby chair. The store features modern wooden shelving and a white counter, with a security camera visible on the ceiling.

In Jos, Nigeria, a white, curved display stand features a large, illuminated screen. Centered on the screen is a bright red speech bubble logo with the white text "itel" inside. The display stand is positioned in a store or shop, with shelves in the background holding various mobile phones, including one labeled "A100". A promotional poster is visible in the background, partially obscured by the display stand, detailing a "how to win" contest. The floor beneath the display stand is a patterned dark wood.

The image depicts a plant, likely a Tradescantia zebrina, in a red plastic cup, suspended by string against a dark, possibly black, background. The plant has distinctive striped leaves with green and silvery-white coloration, and some purple undersides. The cup is red and appears to be a disposable beverage cup. The plant is hanging, suggesting it might be a houseplant or an outdoor plant in a sheltered location. The background is dark and textured, with vertical lines that could indicate a curtain, a fence, or a similar covering. The overall lighting is dim. There are no visible people or animals in the image. The provided crop images highlight the plant's leaves and the red cup in more detail. The location in the city of Jos, Nigeria, is not discernible from the visual information present in the image.

The video shows a close-up of green grass with small white objects scattered on it. The objects appear to be round and some are partially obscured by the grass blades. The ground appears to be a mixture of dirt and grass, with some larger brown rocks visible on the right side of the frame. The lighting is somewhat dim, suggesting an overcast day or a shaded area. The footage is shaky, indicating it was likely recorded by hand. No people or animals are visible in the frame. The focus of the video is on the ground and the white objects, which resemble hailstones.

The video shows a close-up view of the ground during a hailstorm. Small hailstones are visible on the grass and mixed with mud. The ground appears wet and muddy, with some debris like bricks and wood. The camera is moving, suggesting someone is walking or moving while filming. In the later frames, a blurred object that looks like a scooter or motorcycle is partially visible. The overall environment appears to be an outdoor, possibly rural or construction area, experiencing inclement weather.