Visitor documents slave trade museum exhibits in Badagry Nigeria

A person is holding a smartphone and photographing two framed illustrations hung on a white wall at an exhibition in Badagry, Nigeria. The top illustration depicts "Branding Slaves" and includes the description "A Lady Slave Been Branded Before Shipping" and the code "LA/21/MTAC/066/4/030". The lower illustration, titled "Separation of Families", has the subtitle "Separation of Families During Slave Trade in 14th - 18th Century" with the code "LA/21/MTAC/066/4/029".

A framed mixed media artwork hangs on a white wall, likely inside an art gallery or exhibition space, possibly in Badagry, Nigeria. The artwork features a sunset or sunrise backdrop painted in hues of yellow, orange, and red, bisected by horizontal lines, possibly wire mesh. Silhouetted figures crafted from wire are positioned in front of the painted background, appearing to be engaged in a dance or ritualistic activity. Two sailboats are also depicted in the background. The artwork is framed in black. Below the artwork, a white electrical outlet is affixed to the wall. A descriptive label is seen on the right side of the frame.

Three framed images hang on a white wall. The top left image depicts nude people in a line. The bottom left image displays a group of clothed people standing together. The right image is a line drawing of people interacting in an outdoor setting. All three images relate to the slave trade and are on display at a location in Badagry, Nigeria. Labels underneath the images read: "Inspections, INSPECTATIONS AND SALES OF NEGROES," "Rejected Slaves, REJECTED SLAVE ARE CALLED AJAGONSI," and "Artistic impression Of Vlekete Market."

The image shows a section of a wall in Badagry, Nigeria, adorned with six framed pictures related to the history of slavery. * Top left: A sketch depicting a slave owner whipping a slave. * Top center: A poster announcing “TREASON!”, calling on Christians to pray for Captain John Brown, who is sentenced to hang. * Top right: A photograph of a public execution or hanging. The text under the image says, "SLAVE HANGED ON GALLOW." * Middle left: A sketch depicting an altercation between a slave owner and runaway slaves. * Middle center: A sketch of a man in tattered clothes carrying a spear. * Middle right: A technical drawing of the gallows, with a man hanging by the neck. The wall is off-white, with some visible cracks and imperfections.

The image shows a section of a wall in what appears to be a museum or exhibition in Badagry, Nigeria. Four framed artworks or historical illustrations are arranged on the wall. Top left: A color image of slaves being hanged on a gallows. Top right: A color image depicting a historical scene of a woman lying on the floor with her hands outstretched, surrounded by other individuals. Bottom left: A black and white line drawing of a rudimentary gallows mechanism with a horse providing the power. A person hangs from the device while another stands by with a rope. Bottom right: A color image showing enslaved people standing, sitting, and being forced into the hold of a ship. The wall itself is white and has a slightly textured surface. A small blemish is visible on the wall below the bottom left frame.

The image shows a wall in a room, possibly a museum or historical site, in Badagry, Nigeria. There are four framed images hanging on the wall. The top left image depicts a scene of slavery, with a slave owner whipping a person on the ground while others stand nearby. The top right image is a poster with the word "TREASON!" in large letters, and it requests prayers for Captain John Brown, who is under sentence of death. The bottom left image shows a scene of people, possibly enslaved people, being chased or attacked by other people with weapons. The bottom right image shows a drawing of a person holding a paddle-like object, wearing minimal clothing. The walls appear to be white.

The image shows two framed documents hanging on a white wall. The top document is a print of "The First Colored Senator and Representatives" during the 41st and 42nd Congress of the United States. It depicts a group of nine formally dressed men. The bottom document is a poster advertising "Anti-Slavery Meetings" to be addressed by agents of the Western Anti-Slavery Society. The poster urges people to "Turn Out!" to learn their duty to themselves, the slave, and God, and mentions "Emancipation or Dissolution, and a Free Northern Republic!" The image includes the text “LA/21/MTAC/066/4/0102” above the anti-slavery poster. There is no direct indication in the image that the location is Badagry, Nigeria.

The image shows three framed pictures hanging on a white wall, possibly in a museum or historical exhibition in Badagry, Nigeria. The top picture is a painting depicting a battle scene with many figures, including soldiers on horseback and fallen individuals on the ground. The middle picture is a black and white print of a group scene inside a building with people gathered around a person lying on the floor. Some figures are standing, and one has their arms raised. There is a ladder leaning against the wall in the background and a bucket near the foreground. The bottom picture is a black and white photograph of a large group of people, possibly warriors or tribal members, standing outside. Some are holding weapons.

The image shows a section of a wall at the Badagry Slave Museum in Nigeria. The wall features several framed pictures. A person wearing a light blue shirt is taking a photo of a framed image of a woman in a long green dress. Above this image is a framed sketch of a woman with a headwrap. Other framed images are visible to the left and right, though their details are less clear. The wall is a plain, light color. Captions under the images provide some information about the subjects. One caption mentions "Nanny (of Ghana Origin)" and the "Maroon revolution." Another refers to the "Revolution of 1791" and Haiti.