Witness documents damaged buildings and settlements in Khan Yunis

The image depicts a devastated urban landscape, likely in Khan Yunis, Palestinian Territories, under bright daylight with clear skies. In the foreground and mid-ground, numerous people, predominantly men, are gathered in groups on a dusty, unpaved street. One individual walks alone in the immediate foreground. To the right, a large, multi-story building, possibly a mosque or an institutional structure given its architectural style, stands heavily damaged with significant portions of its facade and interior exposed or collapsed. Blue tarpaulins are visible through some of the broken windows. Directly behind the gathered crowd, there is an area filled with white tents, some covered with blue tarpaulins, suggesting temporary shelters or a makeshift camp. A vehicle, possibly a van, is partially obscured by one of these tents. Further in the background, extensive piles of rubble and debris from completely collapsed buildings are visible, indicating widespread destruction. Beyond the immediate devastation, several multi-story buildings, appearing largely intact but somewhat weathered, define the skyline. The overall scene conveys a sense of widespread destruction, displacement, and a humanitarian situation, with people congregating amidst the ruins and temporary shelters. No discernible text is visible in the image.

The image depicts an outdoor communal prayer (Salat) taking place amidst widespread destruction in Khan Yunis, Palestinian Territories. A large group of people, primarily men, are seen kneeling in synchronized rows on prayer mats or blankets on what appears to be a dusty street or cleared ground. They face a prominent, light-colored building, likely a mosque, which shows extensive damage; large sections of its facade and walls are missing or collapsed, and its structure is exposed. Arched windows and faint Arabic calligraphy are visible on its upper parts. The surrounding environment is heavily ruined, with debris, rubble, and remnants of collapsed buildings scattered throughout the scene. Further in the background, another multi-story building, also appearing damaged, is visible. Several white or light-colored tarpaulins or makeshift tents are set up, some appearing to provide temporary cover for the worshippers, others possibly serving as shelters. A dark vehicle is partially visible on the street. In the immediate foreground, a broken brown wall exhibits several circular impact marks, possibly bullet holes. The scene occurs during bright daylight under a clear sky, indicating good weather conditions despite the devastation. The visible text includes Arabic script on the mosque's facade, which is difficult to fully decipher but typical of religious inscriptions, and a "Galaxy A14" watermark in the bottom right corner of the image. The event captures a moment of faith and resilience within a severely damaged urban landscape.

The video captures a wide shot of a crowded scene in Khan Yunis, Palestinian Territories, set against a backdrop of heavily damaged urban buildings and rubble, indicating a conflict or disaster zone. In the foreground, a large group of people, predominantly men, are gathered, forming what appears to be a queue or a congregation. They are dressed in various casual attires. Prominently featured are several white tents, one large tent occupying the lower right of the frame, suggesting temporary shelters or aid distribution points. The ground is a mix of dirt and possibly a broken paved surface. Above the tents and behind the crowd, the multi-story buildings show significant structural damage, with walls crumbled, windows missing or covered by blue tarps, and interiors exposed. Piles of debris are scattered around these structures. The weather appears sunny and clear, suggesting daytime. The overall atmosphere conveys a sense of hardship and a community grappling with the aftermath of destruction, relying on temporary provisions like the tents. No specific text is visible in the frame.

The image displays the severely damaged structure of a multi-story building, likely residential, set against a clear, bright blue sky. The building appears to have sustained extensive destruction, with multiple floors collapsed or partially missing, exposing its internal structure of concrete slabs and twisted rebar. A prominent feature is a large, white, fluted column-like structure, possibly a minaret or a significant decorative element, which extends horizontally into the clear blue sky from an upper level of the building, appearing detached and precarious. The interior of the building is exposed in various sections, revealing debris and fragments of former domestic life. Hanging fabrics, resembling bed sheets or curtains, are draped over internal supports or through openings. In one visible room, a framed picture hangs on a surviving wall, and a red blanket or piece of furniture is partially seen. A window with a screen remains somewhat intact on an upper floor. The scene depicts the aftermath of a destructive event, which, given the context of Khan Yunis, Palestinian Territories, strongly suggests conflict or a significant structural failure. The bright daylight and clear blue sky highlight the extensive damage. No people are visible, and there is no discernible text in the image. The overall impression is one of widespread devastation and loss of infrastructure.

An elevated, sunlit view depicts a street scene in Khan Yunis, Palestinian Territories, characterized by extensive structural damage. The image captures the aftermath of destruction, with several multi-story buildings heavily damaged or partially collapsed, exposing their interiors. In the mid-ground, a large mosque with a distinctive white minaret and dome stands prominently, also showing significant damage to its facade and minaret. Debris and rubble are visible around the damaged structures and along the edges of the asphalt street. Several people are present on the street. In the foreground-midground, three individuals, including what appears to be a child, walk together. Further down the street, another person in green is visible, and one person stands near a building entrance on the left. Long shadows are cast by the buildings and individuals, suggesting a bright, sunny day, likely mid-morning or afternoon. The sky is clear and blue. Despite the widespread damage, signs of life persist: laundry hangs from balconies of partially destroyed buildings. On the right side of the street, near makeshift shelters, a banner is visible with the Arabic word "فلسطين" (Palestine). Nearby, large boxes or panels bear the logos "UNICEF" and "IOM-OIM," indicating the presence of international humanitarian aid organizations. On a building sign on the left, "NABU-SANS" and "SAMS" are partially discernible. The foreground is partially obscured by thick, dark overhead cables or wires.

This image captures an outdoor storage area in Khan Yunis, Palestinian Territories, under bright daylight conditions with strong sunlight creating distinct shadows. The scene is somewhat cluttered, featuring a mix of household items and building materials. In the mid-ground, a blue plastic crate is prominently displayed, overflowing with numerous light brown onions. Many onions are also piled around and beneath the crate. Adjacent to the onions, a large, horizontal blue plastic barrel or drum is situated, equipped with a spigot on its right side. The barrel shows signs of wear, with several patches of white, possibly peeled paint or labels. Faint text is visible on its surface, including what appears to be "1827/2015" and "PATENT". Below the blue barrel, two large, full bags are visible: a translucent blue plastic bag to the left, resting on a cardboard box, and a textured, light blue woven sack to the right. To the far right of the image, stacked concrete blocks and various wooden planks or beams are stored. A bright yellow plastic bag is partially visible in the lower left corner. The background reveals a rough, light-colored wall with some sparse dry vegetation and shadow patterns. Above this wall, an overhead structure, possibly an overhang or part of a roof, is constructed with dark wooden beams and panels featuring a textured surface. No human activity is depicted, suggesting a static storage scene. The bright light indicates it is daytime.

This elevated view captures a street scene in an urban area, characterized by significant destruction under a clear, bright blue sky. Numerous buildings exhibit extensive damage, with exposed rebar, rubble, and partial collapses indicating a severely impacted environment. A prominent mosque with a white minaret and dome stands in the midground, appearing relatively preserved amidst the surrounding devastation. A wide, paved road, marked with white lines and a directional arrow, runs through the center, where several people are walking. Two individuals are seen in the foreground, casting long shadows indicative of strong sunlight. Along the road, temporary white shelters or tents are set up, some clearly displaying the logos of "UNICEF" and "IOM," suggesting humanitarian aid or displaced populations. Overhead, numerous wires and cables crisscross the sky. Visible text includes the logos "UNICEF" and "IOM" on the temporary shelters. A sign near a building displays the text "YASEEN JAMES" and several Arabic words: "غسيل" (laundry), "شحن" (charging/shipping), "تبريد" (cooling), "بات باردة" (cold drinks/ice cream), and "كريم" (cream). The scene depicts daily life continuing amidst widespread devastation, under clear weather conditions, likely in Khan Yunis, Palestinian Territories. The time of day appears to be mid-morning or afternoon due to the bright sun and distinct shadows.

This image, set in Khan Yunis, Palestinian Territories, captures a dense, makeshift settlement or displacement camp situated alongside and around multi-story residential buildings. The scene is illuminated by bright daylight, suggesting clear weather conditions. The prominent subjects are numerous temporary shelters and the surrounding urban structures. The shelters are primarily constructed from white, gray, and some olive-green tarpaulins and fabric sheets, exhibiting various sizes and configurations, indicative of improvised housing. They are tightly packed together on sandy, uneven ground, which appears littered with debris and refuse. Ropes and stakes are visible, used to secure these temporary structures. On the left, multi-story buildings, likely apartments, rise upwards. They are light beige in color with multiple windows, some featuring decorative grates or simple bars. Clothes and various items are visible hanging out of windows or placed on ledges, suggesting ongoing habitation. Some upper-level balconies or windows are fitted with makeshift metal cages or barriers. No people are clearly visible in the image. The activity depicted is the ongoing struggle for shelter and daily life in a crowded, challenging environment. The collective setup of temporary housing against the backdrop of permanent buildings highlights a state of prolonged displacement or emergency. Notable details include the widespread use of utilitarian materials for shelter construction and the sandy, dusty environment. Visible text includes "UNICEF" and "UN" logos on some of the white tents, indicating humanitarian aid. On a wall in the background, graffiti or painted text, "GAZA", is discernible. The overall impression is one of a community living in dire conditions, making do with limited resources amidst significant hardship.

The image captures an outdoor scene featuring a collection of utilitarian objects, likely in a storage or makeshift area in Khan Yunis, Palestinian Territories. The most prominent subject is a large, horizontally-oriented blue plastic barrel or tank, possibly used for water storage. The barrel shows signs of wear, including numerous scratches and patches of white residue, suggesting peeled-off labels or paint. Part of the barrel is covered by crumpled silver and black plastic sheeting. A metallic spigot or faucet, equipped with a green handle, is attached to one end of the blue barrel. Molded into the plastic surface of the barrel, near the spigot, are several lines of text: "1-2/X2242/S", "D/FAM 5288", and "MAMOR 1". These alphanumeric sequences likely represent product specifications or manufacturing details. Above the blue barrel, a stack of wooden planks and beams is visible. Further up, a dark-colored, rectangular structure, possibly a shelf or a component of a larger unit, extends across the frame. This structure appears to be made of wood or a composite material, with visible screws fastening its parts. Its underside features a textured, dark lining. The background includes dry, light-colored soil or an earthen wall, from which sparse, dried-up vegetation emerges. The scene is brightly lit by direct sunlight, casting strong shadows that highlight the textures and forms of the objects. The clear illumination suggests it is daytime. No human activity or individuals are present in the image.

The video captures a wide view of a war-torn urban landscape in Khan Yunis, Palestinian Territories, on a clear, sunny day. The scene is framed in the foreground by a damaged building wall on the right, which shows several bullet holes, and a rough concrete wall on the left. In the mid-ground, a large gathering of people is visible, many appearing to queue or stand together. They are positioned in front of a heavily damaged white mosque featuring a tall minaret, which also shows signs of extensive wear and damage. Above the mosque's arched entrance, Arabic text is visible, reading "جامع الرحمن" (Jami' al-Rahman), which translates to "Mosque of the Most Merciful". Surrounding the mosque and extending into the background are numerous temporary shelters made of white and grey tarpaulins, suggesting a camp for displaced people or a humanitarian aid distribution area. Beyond these shelters, several multi-story residential buildings are seen, many appearing partially collapsed or severely damaged, with piles of rubble scattered around them. The ground is unpaved, consisting of dirt and sand, and a few individuals can be seen walking across it. The overall setting conveys a scene of widespread destruction and humanitarian need.

This photograph, taken in Khan Yunis, Palestinian Territories, captures an outdoor scene dominated by a large group of people engaged in prayer amidst significant urban destruction. The image is oriented vertically (originally taken in portrait mode and rotated clockwise). In the center and extending to the right, a substantial congregation of people, predominantly men, are performing what appears to be an Islamic congregational prayer (Salat). They are arranged in rows, with some standing, others bowing, and many kneeling with their foreheads to the ground in prostration, facing a common direction. They are dressed in various everyday attire. The background is characterized by severely damaged and crumbling buildings. One prominent structure on the left side features an arched opening and intricate detailing on its remaining walls, suggesting it might have been a mosque or a historically significant building. The walls throughout the scene show exposed concrete blocks and extensive damage, with large sections having collapsed or been destroyed. Debris, rubble, and loose materials are scattered across the ground and within the damaged structures. To the right side of the praying individuals, several white, tent-like structures or makeshift shelters are visible, hinting at temporary accommodation or aid provisions in the area. Blue tarps are also discernible among the rubble and on parts of the damaged buildings. The ground where the people are praying appears to be a paved or open area. The scene conveys a sense of resilience and continuation of faith in the face of widespread destruction, likely a consequence of conflict or disaster. The photograph was taken in broad daylight, under clear weather conditions. In the bottom right corner, the text "Galaxy A14" is visible, indicating the device used to capture the image.

The image, captured from an elevated perspective, displays a large gathering of people, predominantly men, outdoors in what appears to be a severely damaged urban setting. The scene is located in Khan Yunis, Palestinian Territories. The individuals are arranged in orderly rows, mostly sitting or kneeling on the ground, with many appearing to use prayer mats or blankets. Their uniform posture and arrangement strongly suggest a communal prayer or a similar organized gathering. To the right of the assembled group, a large, light-colored tent or makeshift shelter, possibly constructed from tarpaulin, offers some cover. The surrounding environment is characterized by extensive structural damage, featuring exposed rebar, rubble, and broken concrete from buildings that appear to be collapsed or heavily damaged. The ground is a mixture of dirt, debris, and fractured paved surfaces. In the background, further ruined structures are visible, along with some blue tarp-like bundles and a reddish-brown wooden lattice structure embedded within the ruins. The photograph was taken during daylight hours under clear weather conditions. The overall impression conveys a sense of resilience and community amidst widespread devastation. A watermark stating "Galaxy A14" is visible in the bottom right corner of the image.

The image depicts a large outdoor communal prayer taking place amidst significant urban destruction, likely in Khan Yunis, Palestinian Territories, as suggested by the context. The scene is viewed from an elevated perspective during bright daylight. In the background, a heavily damaged building with an arched entrance is visible. Above the arch, Arabic script reads "مسجد حمدة بن عياط" (Hamda Bin Ayyat Mosque), indicating the building's identity. Large sections of this building's facade are crumbling, revealing exposed internal structures and debris. To the left, another multi-story building appears damaged, with many small, square window-like openings. In the mid-ground and foreground, a large crowd of individuals, predominantly men, are engaged in prayer, arranged in neat rows facing the mosque. Many are kneeling or prostrating. A large white tarpaulin or makeshift canopy covers a portion of the praying congregation, offering some shelter. Surrounding the prayer area, there is extensive rubble and debris from collapsed structures. Several smaller, informal shelters or tents made of white and blue tarpaulins are also visible among the ruins. The ground appears to be unpaved, dusty, or sandy. On the far right, a large, light brown wall or structure shows signs of damage, including several distinct bullet or shrapnel holes. The overall scene conveys a sense of resilience and community amidst widespread devastation. A watermark "Galaxy A14" is visible in the bottom right corner, identifying the camera used.

The image, captured from a high vantage point within a heavily damaged building, looks out over a scene of destruction and resilience in Khan Yunis, Palestinian Territories. The foreground shows a section of a beige wall riddled with numerous bullet holes and large chunks missing, indicating severe structural damage. Below and across, a large group of people, predominantly men, are gathered on a dusty, open ground. They are sitting or kneeling in rows, engaged in what appears to be a congregational prayer, facing a severely damaged mosque. The mosque, the central feature of the background, is a white-colored building with a distinct arched entrance and a minaret. It exhibits extensive damage, with significant portions of its facade crumbling and interior structures exposed. Arabic text above the main archway identifies it as "مسجد الشهداء في خربة عدس" (Martyrs Mosque in Khirbet Adas). Near the praying individuals, several white tents are erected on the ground, suggesting a temporary camp for displaced persons. A vehicle is partially visible behind the tents on the left. In the further background, other multi-story buildings can be seen, some also appearing damaged. The sky above is clear and bright blue, indicating a sunny day. The scene captures a moment of religious observance amidst the harsh realities of a war-torn environment.

The image, taken in Khan Yunis, Palestinian Territories, depicts a dense gathering of people amidst extensive urban destruction. The scene shows a large crowd of adults, and likely children, sitting closely together on the ground or on various makeshift seats, facing towards the right side of the frame. Many individuals appear to have personal belongings, such as bags and blankets, near them. The setting is an open, dusty area surrounded by heavily damaged multi-story buildings. These structures show severe structural compromise, with large sections of walls collapsed, exposing interiors, and considerable debris including rubble, bricks, and twisted metal scattered throughout. Several white or light-colored temporary shelters and tents are erected within the crowded area, providing shade or basic cover. One large, prominent white tent stands out towards the upper right. The activity appears to be a large-scale gathering, possibly for aid distribution, as a makeshift camp for displaced individuals, or people waiting for resources in an area severely affected by conflict or disaster. The bright, clear lighting indicates it is daytime, with shadows suggesting mid-morning or afternoon. The overall atmosphere conveys a sense of hardship and displacement. In the lower right corner, the text "Galaxy A14" is visible, indicating the camera model used to capture the image.