Wednesday, May 20, 2026 · Updated Wednesday, May 20, 2026
Sofia, Bulgaria
In the quiet corners of Sofia's creative quarters, a quiet revival of classical draftsmanship is taking place. Away from the digital screens and rapid-fire media that dominate modern life, local artists are returning to the fundamental discipline of figure drawing. In these sunlit studios, the human form remains the ultimate subject, rendered with patience, graphite, and colored pencils.
The video shows a pencil drawing of a woman sitting down. The drawing is an artistic depiction of a nude female figure. The woman's breasts are depicted and she is sitting with her legs bent. The drawing is on white paper and various shades of brown are used. There are brown marks on the upper right of the paper.
The process is one of intense observation. Under the warm glow of adjustable desk lamps, artists study the subtle play of light and shadow across the contours of a reclining model. Each stroke of the pencil is deliberate, translating the fleeting geometry of flesh and bone onto textured paper. It is a practice that demands absolute presence, a rare commodity in today's hyper-connected world.
A person is holding a smartphone in their hand, capturing an image of a drawing in a spiral-bound sketchbook. The drawing on the phone screen matches the drawing in the sketchbook: a figure lying down, rendered in shades of brown. A set of four colored pencils lies beside the sketchbook, corresponding to the colors used in the drawing. The phone displays the message "Memory uploaded" and includes metadata indicating the location as Sofia, Bulgaria.
Notebooks filled with anatomical studies and color swatches line the shelves of these workspaces. These sketches are not merely preliminary steps for larger paintings; they are complete works of art in their own right, capturing the raw essence of human gesture. The drawings reflect a deep dialogue between the artist's hand and the model's pose, emphasizing form, weight, and emotion.
The video shows a colored pencil sketch of a nude woman sitting sideways. The figure has blocky features and long blonde hair. The breasts and nipples are visible.
The video shows a drawing in progress, starting with a Sakura Micron pen on a blank sheet of white paper. The camera then pans up to reveal a pencil drawing of a woman's torso, arms, and face in profile. The woman is seated, and the drawing is made with hatching to add depth and shading. A light gray garment is visible in the periphery.
This resurgence of interest in traditional life drawing speaks to a broader cultural desire for tangible, tactile experiences. As digital art tools become increasingly sophisticated, the physical resistance of paper and the unpredictable nature of colored pencils offer a grounding alternative. In Sofia, this quiet movement is fostering a dedicated community of creators committed to preserving the timeless art of the human figure.
The video is a close-up shot of a sketch on white paper. The sketch depicts a woman sitting in a chair. She is nude from the waist up. Her head is turned to the side in profile. The drawing style is characterized by cross-hatching shading. The chair is simply sketched, and the background is blank.
The image shows a sketch of a person's torso and legs, with three Sakura Pigma Micron pens laying near the top of the page. The drawing is rendered in black ink on white paper, with cross-hatching to indicate shadows and volume. Two of the pens are labeled Micron 01, 0.25mm, and the third is Micron 12, 0.70mm. The sketch is placed in such a way that it appears to be the main subject. The background consists of the white paper and a few lines that seem to be part of the drawing or sketching process. There is no context provided that situates this image in Sofia, Bulgaria, or any specific location.
The image depicts a person drawing a figure on a white sheet of paper. The drawing is colored with shades of brown and depicts a reclining nude figure, mirroring the pencil sketch of the same figure displayed on an iPad screen directly above it. The environment consists of a wooden floor, a gray cushion or piece of clothing, and a white electronic device with wires. The scene is indoors, with no visible indicators suggesting the location is in Sofia, Bulgaria.
A hand holds a sheet of paper with a drawing of a reclining nude figure rendered in shades of brown and beige. The drawing also features color swatches near the top left corner. The background includes a black adjustable desk lamp, a white window blind, and a glimpse of greenery outside the window. The location is not discernible from the image and cannot be pinpointed to Sofia, Bulgaria.
A black and white sketch depicting a figure. The upper part of a person's head is visible in the upper left of the sketch. The environment is undiscernible and Sofia, Bulgaria is not depicted. The sketch is done in a cross-hatching style, with dense lines creating a sense of shading and form.
The video shows a pencil drawing of a woman sitting down. The drawing is an artistic depiction of a nude female figure. The woman's breasts are depicted and she is sitting with her legs bent. The drawing is on white paper and various shades of brown are used. There are brown marks on the upper right of the paper.
A sheet of paper with a drawing of a nude female figure in a reclining pose, rendered in shades of brown pencil. The drawing is accompanied by a series of circular swatches in varying shades of brown. The sheet is positioned in the foreground of the frame, partially obscuring the background. The background features a monitor displaying an image of a nude woman and a blurred area with a cabinet. The scene appears to be indoors. There is no indication of the image being in Sofia, Bulgaria.
A person is holding a smartphone in their hand, capturing an image of a drawing in a spiral-bound sketchbook. The drawing on the phone screen matches the drawing in the sketchbook: a figure lying down, rendered in shades of brown. A set of four colored pencils lies beside the sketchbook, corresponding to the colors used in the drawing. The phone displays the message "Memory uploaded" and includes metadata indicating the location as Sofia, Bulgaria.
A drawing of a nude female torso, viewed in profile from the neck down, is shown on a piece of white paper. The drawing uses brown, tan, and yellow-toned pencils. Four colored pencils, corresponding to the colors used in the drawing, are positioned on the paper next to the drawing. No identifiable location in Sofia, Bulgaria is discernable.
The video shows a colored pencil sketch of a nude woman sitting sideways. The figure has blocky features and long blonde hair. The breasts and nipples are visible.
The image is a detailed pen and ink sketch of a human figure. The composition focuses on the torso and legs of the figure. The sketch uses hatching to create areas of shadow and depth. The location is not discernible from the drawing itself, and there is no indication it is in Sofia, Bulgaria.
The video shows a drawing in progress, starting with a Sakura Micron pen on a blank sheet of white paper. The camera then pans up to reveal a pencil drawing of a woman's torso, arms, and face in profile. The woman is seated, and the drawing is made with hatching to add depth and shading. A light gray garment is visible in the periphery.
A drawing of a nude figure is held by a person with manicured nails. The drawing is lit by a black adjustable desk lamp. The background includes a window with blinds and greenery visible outside. The location is not discernible from the given image.
A colored pencil drawing depicts a person reclining in a chair. The figure is drawn in shades of brown and peach, with detailed shading to define the contours of the body. The legs are raised, resting on the back of the chair. The chair itself is sketched in gray pencil. The background is a blank white surface. The image does not provide any information about the city of Sofia, Bulgaria, or any specific location.
A selfie taken from a low angle shows a man's face with brown eyes, dark hair, and a beard. His left hand is raised to his forehead. He is wearing a white shirt and a red hoodie. In the background, there is a framed picture with a blue and white pattern. The background is a white wall. The location cannot be determined from the image.
A sketch depicts a nude female figure lying down. The perspective is from a high angle. The figure is rendered in black ink with cross-hatching, defining form and shadow. The subject is reclining with legs slightly raised and bent at the knees. The torso is facing upward. The sketch is placed on white paper. There are no indicators of the city of Sofia, Bulgaria.
A close-up black and white sketch on white paper shows the collar and upper chest of a button-down shirt. The collar on the left side of the image is slightly crumpled. The drawing style consists of many short, hatched lines that indicate shadow and form. The drawing does not contain any features that would identify the city of Sofia, Bulgaria.
A person is photographing a drawing with their smartphone. The drawing depicts a person lying down, possibly reclining on a chair. The phone is positioned above the drawing to capture an image. The drawing is on a white surface. The setting appears to be indoors with natural light coming in. There is no indication of Sofia, Bulgaria in the image.
A person is holding a smartphone over a drawing on a sheet of paper. The drawing depicts a reclining figure rendered in pen or pencil. The smartphone screen displays a close-up section of the drawing, tinted pink. The person is wearing a yellow patterned shirt and a gold bracelet. The drawing is placed on a table near a window, through which greenery is visible. The location is not discernible as Sofia, Bulgaria without additional visual cues.
A sketch of a reclining person rests on a large sheet of paper. A hand holding a phone is positioned to photograph the drawing, the phone's screen displays the same drawing, but appearing to be in a chair. The setting appears to be indoors, possibly a studio or classroom. The paper rests on a flat surface. The image's location is unknown, not possible to tell if the scene is in Sofia, Bulgaria.
A person is holding a smartphone, taking a photo of a sketch in a spiral-bound notebook. The sketch is of a reclining human figure. The notebook has some color swatches at the edge, and a green cover with text in Bulgarian ("училищата на България"). Behind the notebook are textbooks. The person taking the photo has pale skin and manicured nails. They are wearing a patterned yellow shirt. A black desk lamp is partially visible on the left side of the image. A window and wall are visible in the background. Given the text on the notebook, it is possible that the photo was taken in Sofia, Bulgaria. However, I cannot confirm this location.
A detailed pen and ink sketch depicts a reclining figure. The style is expressive with dense hatching used to create shading and volume. Details are suggested rather than explicitly defined. The figure seems to be lying on a surface, possibly a bed or couch, with limbs extending into the frame. Facial features are minimally indicated.
The location, Sofia, Bulgaria, is not determinable from the image.
A sketch depicts a person lying on their back with legs raised. The person is likely female, with a visible breast and long hair. The sketch is rendered in pencil or pen, with cross-hatching used for shading on the torso. The environment is plain, represented by simple lines indicating a flat surface. There is no information to indicate this scene's location.
A color pencil drawing of a woman reclining on her side is depicted. The woman is drawn with brown and beige pencils, with darker brown lines defining her form. She has her left hand resting on her face, and her left arm is bent at the elbow. Her right arm is bent at the elbow. Her body is curled. The location is not discernible from this image.
A pen and ink drawing depicts the torso and upper thighs of a nude figure, possibly female, seated. The artwork features cross-hatching to create shading and define form. The figure is seated, likely in a chair, suggested by lines on the left side of the image. No specific details of a city or location are apparent.
A black and white sketch depicts a nude woman lying on a surface. Her legs are bent at the knees and raised. She is facing left, with her hair falling backward. A simple outline suggests the surface she is lying on. There is no indication of the location being Sofia, Bulgaria or any city for that matter.
The image depicts a hand holding a smartphone above a drawing of a person reclining in a chair. The drawing is done in a sketchy, cross-hatched style. The phone screen shows a similar, smaller drawing of the reclining figure, appearing as though the phone is capturing an image of the larger drawing. The phone screen also displays location information: Sofia, Bulgaria, coordinates 42.655, 23.349, the date "Ned May 20 2026 13:50", and text "Diana050" and "Bf 1795". The background includes a window and a section of wall.
A black and white ink drawing shows a reclining woman on a surface. The woman is drawn in profile, facing left, with her head and torso clearly defined with cross-hatching to indicate shading. Her hair is also shaded with similar strokes. Her legs are raised, with one leg bent and partially obscuring the other. A pen with a grey barrel is partially visible near the woman's right knee, suggesting the drawing is in progress. The background is plain white. There is no indication of the location in Sofia, Bulgaria.
A sketch depicts a person lying on their back. Their head is on the left, with hair falling downwards. The person's chest and stomach are visible, with shading to indicate contours. Their legs are bent at the knees and raised. The feet are shown with the soles facing upwards. Underneath the person's body, there is a suggestion of a chair or support. The sketch is done in dark ink on a white surface. The location in Sofia, Bulgaria is not detectable.
A person is holding a smartphone above a drawing of a person lying on a chair on a piece of paper. The smartphone screen shows a similar drawing. The person holding the phone is wearing a gold bracelet and a yellow and black patterned top. The background is blurred, but appears to be an indoor space. The city of Sofia, Bulgaria cannot be determined from the image.
The image is a black and white sketch. It depicts a person sitting in a chair with legs extended and crossed at the ankles. The style is loose and expressive, with hatched lines used to create shading and form. The subject's identity is unknown. The location is unknown.
The image is a colored pencil drawing of a reclining nude female figure. The figure is lying on her back, facing left, with her knees bent and her feet raised. Her arms are crossed over her chest. The figure is rendered in various shades of brown, with some lighter shading on her chest and abdomen. The background is a plain white surface. There is no indication of the location being in Sofia, Bulgaria or any other specific location.
The image is a close-up, colored-pencil drawing of an arm bent at the elbow. The skin tone is rendered with variations of tan, brown, and yellow. No specific location in Sofia, Bulgaria is discernable.
A pencil sketch of a reclining figure on paper. The sketch depicts a person lying down with their legs raised, supported by an unseen structure. The body is outlined with circles marking joints and straight lines defining limbs and torso. Guidelines intersect the figure and run parallel to the paper's edges. A human hand with manicured fingernails appears in the bottom right corner of the image, outside the boundaries of the drawing itself. The location is not discernible from the image.
A pen-and-ink drawing depicts a nude woman lying on her back, with her knees bent and feet resting on a raised, rectangular surface. The woman's head is turned to the side, and her hair is depicted with numerous strokes. Her arms are crossed over her chest. The drawing exhibits cross-hatching to indicate shading and depth. The background is plain. The image lacks any indicators of location, specifically any reference to Sofia, Bulgaria.
The image is a pen and ink sketch of a reclining nude figure. The figure is lying on their back, with their legs raised and bent at the knees. The figure's right arm is visible along their side. The sketch is rendered with cross-hatching to indicate shading and volume. There are no identifiable landmarks or features that would suggest the location is in Sofia, Bulgaria. The background is plain white paper.
The image depicts a pencil sketch of a reclining figure on paper. The sketch employs a construction technique using lines, circles, and ovals to define the form. The figure is positioned horizontally on the page. The subject's head is on the left. The torso is indicated by simple curves. The legs are bent at the knees, angled upward, and positioned to the right side of the image. The feet are at the top right corner of the sketch. Vertical lines indicate a background element. A hand with manicured nails is partially visible in the lower right corner.
The scene is a piece of white paper containing a sketch and there is no indication in the image about its location in Sofia, Bulgaria.
A pencil drawing on white paper depicts a nude human figure reclining. The figure's torso and legs are visible, with cross-hatching used to indicate shading and volume. The figure is positioned in a way that suggests a relaxed or casual pose. The drawing is likely a sketch or study, focusing on form and light. The setting and specific location in Sofia, Bulgaria are not evident from the visual information provided.
The image shows a drawing of a forearm and hand. The drawing is done in colored pencil, primarily in shades of brown, tan, and gray. The details are suggestive of the musculature of the arm. The background is a plain white surface. There is no information present to identify a location in Sofia, Bulgaria.
A close-up colored pencil drawing depicts a reclined human figure, possibly nude, rendered in shades of brown and cream. The subject rests against a dark, charcoal-colored object that might be a piece of furniture or a support. The setting is not identifiable as Sofia, Bulgaria, from the details provided in the image.
A colored pencil drawing on white paper depicts a nude female figure lying on her back with knees bent and raised. A series of color swatches is in the upper left corner of the drawing. The subject is not depicted in Sofia, Bulgaria.
Two sketches of a person are shown on white paper. The sketch at the top is larger and drawn in pencil. The person is lying down with their legs raised, presumably on a prop. The sketch at the bottom is smaller, colored in browns and tans. It is in a similar position as the top sketch. The location is not evident in the picture and cannot be determined.
The image is a colored pencil drawing of a reclining figure. The figure is sketched in shades of brown and tan and appears to be lying on its back with knees bent and feet lifted. The subject is not detailed enough to specify race, age or gender. The background is a plain white.
There is no evidence in the image to specify location in the city of Sofia, Bulgaria.
A drawing on white paper shows a figure of a person with brown and tan coloration, presumably colored pencils used. The person is lying down, oriented on their side with their face to the left. The legs are raised and bent at the knees. To the upper left of the person, there are various ovals containing samples of the brown and tan colors used in the drawing. The location is not discernible in the provided image.
A person is holding a sketchbook in their hands, showcasing a drawing of a reclining figure. The drawing is done in earth tones and includes color swatches on the side. The sketchbook is part of a larger stack of papers and notebooks. The person is wearing a yellow patterned shirt and a bracelet. A desk lamp is visible in the background. The green edge of the notebook includes text in Bulgarian which suggests the location is in Bulgaria, potentially the city of Sofia.
A colored pencil drawing depicts a reclining nude figure, rendered in shades of brown and tan. The figure is lying on its back with knees bent and drawn up towards the chest. The arms are crossed over the chest. The drawing is on a white surface, with color swatches in the upper left corner. The image does not depict any recognizable location in Sofia, Bulgaria.
The image shows a person taking a picture of a drawing with their phone. The drawing is of a nude figure lying on their back. The phone is an iPhone with a green case. The background includes a desk lamp, notebooks (one titled "Пиците на България" which translates to "The Pizza of Bulgaria" and another titled "Математика" or "Mathematics"), and a person wearing a patterned yellow shirt. The OCR detected mentions "Sofia, Bulgaria" but the location information (including the date) is data about the camera, not necessarily the image being photographed.
A colored pencil drawing depicts a nude figure lying on their back. The figure is illustrated in varying shades of brown and beige. The head is positioned to the left. The torso is slightly angled, and the legs extend towards the right of the image. The background is a plain white surface. There is no indication of location within Sofia, Bulgaria, or any specific environment. The image consists solely of the figure drawing.
The image shows a color pencil drawing on white paper. In the right half of the image is a figure drawn in earth tones, depicting a nude person lying on their side facing the left. To the left of the figure are six color swatches of the pencils used for the figure, each contained within a roughly circular, lightly sketched line. There is no information to suggest this drawing is connected to Sofia, Bulgaria.
Sofia, Bulgaria · May 20, 2026, 1:10 PM
A woman is holding a phone in her right hand and a spiral notebook in her left hand, with the phone screen displaying a photo of a sketch in the notebook. The sketch on the paper is of a nude woman sitting down, drawn in brown pencil with some additional color smudges at the top of the page. The phone screen displays the same sketch, cropped slightly differently. The phone has a green case. The woman is wearing a yellow shirt with a black and gold pattern and a silver bracelet on her right wrist. The notebook has labeled tabs along the edge and a green cover. A lamp is visible in the background. The woman appears to be comparing the sketch to the photo on her phone. There is an audio of two voices speaking.
The image shows a sketch of a reclining figure on white paper. The figure is rendered in various shades of brown and yellow. The head is tilted back, and the torso is partially obscured. The legs are bent at the knees, with the feet visible in the upper right corner. A series of color swatches are located in the upper left corner of the image. A fingertip is visible in the lower center. There is no indication that this image originates in Sofia, Bulgaria.
A person holds a spiral-bound notebook with a drawing of a figure, taking a photo of it with a smartphone. The phone's screen reflects the drawing and notebook pages. The notebook has a lime green spine labeled "УЧЕБНИЦИТЕ НА БЪЛГАРИЯ" (The textbooks of Bulgaria). Additional books are stacked underneath. The person wears a gold-tone bracelet and a printed garment. A black desk lamp is visible to the left of the notebook. A window with blinds is in the background, showing a view of green foliage.
There is no definitive evidence to suggest that the location is in the city of Sofia, Bulgaria.
A color pencil drawing of a nude reclining figure is displayed on a gray surface. The figure is drawn in shades of brown, tan, and cream. Five colored pencils are lined up along the bottom of the frame. Above the figure, to the left, are small circles with the same shades used in the drawing. The background is plain and gray.
There is no evidence of the location in Sofia, Bulgaria.
The image shows a close-up of a sketchbook lying on a surface, likely a desk. The sketchbook is spiral-bound with white pages. On one of the pages is a drawing of a nude figure, rendered in colored pencil using shades of brown and tan. Next to the drawing are several colored pencils in similar hues.
The bottom left corner of the sketchbook reveals a green cover underneath, bearing text in a Cyrillic alphabet, partially obscured but discernible as "..."ИТЕ НА БЪЛГАРИЯ". This text indicates that the image was taken in Bulgaria, but there are no location details present to suggest that this was taken in Sofia.
The image shows a drawing of a person's lower body, from the waist down, in a seated position. The drawing is rendered in colored pencils, with shades of brown and tan used to depict the skin tone and form. To the left of the drawing are three colored pencils in similar shades. The background is a plain white surface. The image contains no indications of Sofia, Bulgaria.
The image shows a person sitting down, possibly in a domestic setting. The floor appears to be wood. The person is wearing grey clothing and has a tablet in their lap displaying a pencil sketch of a reclining figure. The person is holding a sheet of paper with a colored pencil drawing of a similar reclining figure. Another pencil sketch of a reclining figure on paper is visible next to the tablet, held in place by a green binder clip. The scene also contains part of a grey upholstered chair. The presence of a tablet, sketches, and colored pencils suggests an artistic activity. There is no evidence indicating the location is in Sofia, Bulgaria.
A colored pencil drawing depicts a person lying on their back with knees bent and feet raised. The person has a pale skin tone and brown hair. No setting is indicated. There is no information to determine the location is Sofia, Bulgaria.
A color pencil drawing of a reclining person is depicted against a white background. The person is light-skinned, and their form is rendered in shades of brown, tan, and white, with darker lines outlining the body. The face is turned upward, and the limbs are positioned in a way that suggests a resting posture. No specific location or city of Sofia, Bulgaria can be determined from the image.
A hand-drawn sketch on white paper depicts a nude figure lying on their back with knees bent. The sketch is rendered in brown and tan colored pencils. Color swatches are present in the upper left corner. The sketch appears to be on a desk with other papers. A paperclip is visible on one of the other papers. The image does not contain any information that would indicate the location to be Sofia, Bulgaria.
Sofia, Bulgaria · May 20, 2026, 1:13 PM
A pencil sketch on white paper depicts a figure lying on their back with knees bent and feet raised. Vertical and horizontal lines are drawn across the figure, seemingly as construction lines for the drawing. The figure's head is on the left side of the image, and their feet are on the right. There are circular shapes indicating joints (shoulders, hips, knees) and rough indications of body contours. The image provides no information about Sofia, Bulgaria, or any specific location.
A pencil sketch on white paper depicts three figures. The figure on the left is lying down. The central figure is seated and facing right with a forward leaning posture. The right-most figure is also seated and partially cut-off by the right edge of the paper. All figures are outlined with a series of circles and vertical lines for structure. The sketch includes horizontal parallel lines in the background. The scene is a preliminary draft. Sofia, Bulgaria is not evident from the sketch.
The image is a sketch on white paper. The sketch depicts three figures lying down next to each other, oriented horizontally. A mechanical pencil hovers over the rightmost figure, seemingly in the process of drawing or refining the sketch. The figures are rendered as outlines and simplified shapes, using circles and rectangles to indicate body parts. There are also horizontal and vertical lines, presumably used as guides for proportions and alignment. The background is plain white paper.
There is no location in Sofia, Bulgaria indicated.
A colored pencil drawing depicts a nude human figure lying on its back with legs bent at the knees and raised in the air. The figure is drawn in shades of brown and tan. The drawing is on a white or off-white surface, likely paper. A blurred partial sketch is visible in the upper left corner. No city of Sofia or specific location can be determined from the image.
The image depicts a portion of a drawing of a camel. The visible parts of the camel include its neck, shoulder, part of its hump, and a section of its foreleg. The drawing appears to be done in colored pencil, primarily in shades of brown and tan. The background is a neutral color, possibly off-white or light gray. There is no information available within the image to determine a location in Sofia, Bulgaria, or any other setting.
A color pencil drawing of a nude woman lying on her back. The drawing is on white paper. The woman has brown hair and a fair complexion. She is drawn in a reclining position, with her head to the left and her body angled to the right. The composition includes visible breasts. The drawing is incomplete, with visible pencil strokes and unshaded areas. There is no indication of location or city.
The image is a close-up sketch, likely in graphite or pencil, depicting a partial figure study on white paper. The subject appears to be a partially rendered human figure, possibly a nude, lying down or reclining. The rendering style is linear with cross-hatching, suggesting depth and shadow. The figure's face and upper torso are visible, with a focus on the contours of the body and the rendering of form through line weight and shading. There is no indication of location, specifically Sofia, Bulgaria, within the visual information provided.
A black and white pencil sketch shows a female figure, seemingly reclining. The drawing emphasizes the woman's breasts, ribcage, and right arm. A shadow cast beneath her left breast is visible. The background is plain white, indicating the sketch was likely made on paper. There are no discernible landmarks or indications pointing to Sofia, Bulgaria.
A sketch of a nude person lying on a surface with their knees bent and feet elevated. The head is resting on a stack of items. The sketch style is cross-hatching for shading. The environment is unspecified and the location is not discernible.
The image is a drawing of two legs in a sitting position. The left leg is bent at the knee, while the right leg is straight. The feet are also visible. There is no information about a specific location in Sofia, Bulgaria.
Sofia, Bulgaria · May 20, 2026, 1:42 PM
A black and white sketch depicts a nude woman lying down. She is lying on her back with her head turned to the left. Her hair is drawn with thick, bold lines. Her body is rendered with hatching and cross-hatching to create shading and volume. Her arm is raised on the right side of the image. The background is plain white. There is no indication of the location in the city of Sofia, Bulgaria.
The image is a sketch of a person lying down with their legs bent and feet raised. The torso is visible, showing the chest and abdominal area with cross-hatching to indicate shading. The legs are also shaded with similar cross-hatching, defining muscle contours and bone structure. The feet are depicted with simple outlines. The person appears to be lying on a flat surface, indicated by a straight line underneath. The setting is not identifiable as Sofia, Bulgaria, or any specific location.
This image is a black and white sketch of a reclining human figure. The figure's legs are raised and bent at the knees, taking up the majority of the frame. The upper body is partially visible on the left side of the image, showing the torso and what appears to be the breast of the figure. The sketch uses cross-hatching to create shading and define the forms of the body. The background is plain white. There is no indication that this scene is in Sofia, Bulgaria.
The image is a sketch of a person lying down. The head is at the left of the frame, with the face visible. The hair is long and covers much of the head area. The body extends to the right side of the frame, sketched with cross-hatching lines to indicate form. The background is plain white paper. There is no indication of location, specifically Sofia, Bulgaria.
The video shows a close-up of a sketch on white paper. The sketch is of a nude woman sitting in a chair, drawn in black ink with cross-hatching to indicate shading. The video then zooms out to show a person holding the paper, wearing a patterned white shirt and sitting on a purple surface, likely a bed or couch. The person's hand is visible holding a pen and adding details to the drawing. The drawing is the central focus.
A person is photographing a sketch of a reclining female figure with a smartphone. The sketch is on a large sheet of white paper. The phone screen displays a similar image, suggesting the person is taking a picture of their own artwork. The person's hands are visible holding the phone. The background is blurred, but a wall and other objects can be seen. The location is not identifiable in this image.
A person is holding a smartphone with a sketch of a reclining figure on the screen, photographing a larger, similar sketch drawn in pen on a sheet of white paper. The person is wearing a patterned yellow shirt and a gold bracelet. The background includes a window with a view of trees and sky, and a gray wall. The location is unknown.
A person is using a smartphone to photograph a sketch. The sketch depicts a figure lying down, rendered in pencil or ink. The smartphone's screen displays a portion of the same sketch. The phone case is light green. The person's hand holding the phone is visible. The sketch is on a piece of white paper. The location is unknown and could not be discerned based on the visual content.
A person is taking a photo of a drawing with a smartphone. The drawing depicts a reclining figure rendered in pen and ink. The phone's screen shows the same drawing, slightly rotated. The person's hands are visible holding the phone. A bracelet is on their left wrist. The drawing is on a large piece of white paper. The background shows a window. The location is not discernible from the image.
A black and white sketch depicts a person lying down. The head is positioned to the left side of the image, with facial features rendered in profile. The person's hair is depicted with dense, curved lines, and their body is composed of curved lines. The person's arms are crossed across their chest. The background is plain white. There is no evidence to suggest that this image is related to the city of Sofia, Bulgaria.
Sofia, Bulgaria · May 20, 2026, 1:49 PM
A person is holding a smartphone above a white sheet of paper with a black-and-white drawing of a reclining figure. The smartphone screen displays a slightly different angled view of the same drawing. The person is wearing a yellow patterned shirt and a gold bracelet. In the background, a window with light coming through is visible. It's impossible to determine if this photo was taken in Sofia, Bulgaria or to know its location.
A person is holding a smartphone over a sketch on a white surface, presumably taking a photo or video of it. The sketch depicts a reclining figure on what appears to be a chair. The smartphone has a green case and displays an application with a camera icon. The person's hands are visible, with manicured nails. The background is blurred, but a white object resembling a table leg or a structure is faintly visible. There is insufficient information to determine the location as Sofia, Bulgaria.
A person is holding a smartphone with the camera pointed at a sketch on a piece of white paper. The phone screen displays a photo of the same sketch. The sketch depicts a figure reclining on a chair. The person holding the phone has fair skin and is wearing a yellow shirt with a graphic design. The background includes a window with natural light streaming through and vertical blinds. The specific location within Sofia, Bulgaria, cannot be determined from the given image.
A person is holding a smartphone to take a photo of a drawing on a white surface. The drawing depicts a figure lying down in a chair. The smartphone screen shows a partial image of the same drawing. The location is not discernible.
A black and white sketch depicts a reclining nude female figure on what appears to be a flat surface, possibly a bed or table. The woman is oriented horizontally, facing left. Her head rests at the left edge of the image. She has long hair. Her torso is slightly angled towards the viewer. Her legs are bent at the knees. The left leg is partially obscured by the right. The sketch utilizes hatching and cross-hatching to create tonal values and define forms. The surface under her is minimally detailed, suggesting a generic flat plane. The background is plain. The scene appears to be indoors. The location is not depicted, therefore not located in Sofia, Bulgaria.
A black-and-white sketch depicts a nude female figure reclining on a surface, possibly a bed or elevated platform. The woman is lying on her back with her head near the left edge of the image and her feet elevated at the right edge. Her legs are bent at the knees. The drawing style is characterized by short, dense lines to indicate shading and contour. The subject's features are minimally detailed but suggest a side profile with closed eyes. The sketch indicates the surrounding environment with minimal lines, showing the edges of the surface she is lying on. The image lacks specific contextual clues to indicate the location of Sofia, Bulgaria.
A colored pencil drawing depicts a person lying on a flat surface, possibly a bed, with their knees bent upward and feet elevated. The person's torso and legs are visible, and they appear to be lying on their back. The drawing uses brown tones to represent skin and a darker shade for the surface underneath the person. Two faint lines suggest the environment and possible surroundings. The drawing appears to be a study of human form. There is no evidence in the image to suggest a location in Sofia, Bulgaria.
A colored pencil drawing depicts a reclining nude figure. The subject appears to be resting on a dark-colored, rectangular object, possibly a low platform or cushion. The person's legs are raised and extended, with their feet positioned upward. The drawing employs a combination of light brown and darker brown pencils to shade and define the form. The background is a plain, light-colored surface. No information is given to support or deny the location of this drawing is in Sofia, Bulgaria.
The image depicts a drawing of a person lying down with their legs raised and resting on a platform or support. The person is depicted from a side angle. The drawing is done in a brown and gray color scheme. The background is a plain white. There are no details suggesting the location is Sofia, Bulgaria or any specific city.
A close-up, somewhat blurry colored pencil drawing on textured paper depicts a partially rendered reclining human figure. The figure is resting against what appears to be a box or block. Details like musculature and fabric folds on clothing are suggested with light brown and peach tones. The lower half of the body is more clearly defined, including a portion of the legs and the buttocks resting on a surface shaded with grey. The box or block has distinct angular lines shaded with dark grey. The environment is not indicated. There is no specific information to indicate the location as Sofia, Bulgaria.
Sofia, Bulgaria · May 20, 2026, 2:30 PM
This is a close-up of a drawing on white paper. The drawing appears to depict a person's shoulder and possibly part of their upper body. The skin is rendered in light brown and tan pencil strokes, with darker brown lines outlining the form and suggesting shadows. A dark gray or black area appears to be adjacent to the shoulder, possibly representing clothing or another object. The style is realistic. There is no indication of Sofia, Bulgaria.
The image shows several architectural sketches layered on top of each other on a light-colored wooden surface. The sketches appear to be hand-drawn, primarily in black ink, on tracing paper or a similar translucent material. Some of the sketches depict floor plans with details of rooms, including furniture layouts, bathroom fixtures, and dimensions. Other sketches show exterior views, likely renderings of buildings or landscapes, indicated by details of plants and angular forms.
The sketches are not clearly identifiable as a single project or site.
There is no definitive information in the image to pinpoint the location as Sofia, Bulgaria. There are no visible landmarks or details that would indicate a specific geographic location. The text visible on one of the sketches, when mirrored, reads "Facade," but the remainder of the text is illegible.
The image shows a collection of architectural sketches layered on top of each other on a light-colored surface, possibly a desk or table. The sketches are drawn on translucent paper, allowing the layers beneath to be partially visible.
The drawings appear to be architectural plans, elevations, and possibly conceptual designs for a building. Some of the sketches show floor plans with room layouts (including one with a bed and bathroom), while others depict 3D representations of building forms. There are also sketch details, such as fan-like drawings that could represent foliage.
The sketches appear to be hand-drawn, with varying line weights and hatching to indicate surface texture. The overall impression is that they are preliminary designs or working drafts.
There is no information in the image to indicate location in the city of Sofia, Bulgaria. The drawings could be related to a project in any city.
The image shows a desk with architectural sketches on tracing paper. A black pen is placed to the left of the papers. The sketches seem to depict a building design with abstract, angular forms and geometric patterns. One of the sketches appears to be a floor plan with indications of furniture layout. The environment is a clean, well-lit workspace. Sofia, Bulgaria, is not identifiable in the image, no persons are visible.
The image depicts a collection of architectural sketches layered on a light-colored wooden surface. The sketches appear to be on translucent vellum paper. The drawings are rendered in black ink or graphite, depicting architectural forms, likely conceptual designs or perspectives of a building. One sketch is labeled "ФАСАДА W/S" which translates to "Facade W/S". There are also what seem to be floor plan layouts. A corner of a white box or binder is visible in the upper left of the frame. Based on the label "ФАСАДА W/S" written in Cyrillic script, and the location mentioned in the instructions, it can be inferred that the project is likely located in Sofia, Bulgaria.
The image shows several sheets of tracing paper with architectural sketches in black ink, overlaid on top of each other on a surface that appears to be a wooden table. The text "ФАСАДА ЮГ" is visible on one of the sheets, which translates to "South Facade" in English. The sketches appear to depict building facades with geometric and angular designs, possibly of a modern architectural style. There is no indication of a specific location in Sofia, Bulgaria, or any people, actions, or interactions in the scene. The primary focus is on the architectural sketches themselves.
The image captures a scene in Sofia, Bulgaria, with a mix of natural and urban elements. A partially obscured residential building with a blue and yellow facade is visible in the background, surrounded by green trees. The sky is partly cloudy, with patches of blue interspersed with grey clouds. In the foreground, trees dominate the view, framing the scene. There appears to be a playground visible as well.
Sofia, Bulgaria
