Morning routines around a Jos workshop and street

This video shows a person with very full, dark, curly hair, seen from behind and the side. They are wearing a red shirt. The person is holding a small bottle with a brush applicator in their right hand and is in the process of applying something to their hair. The setting appears to be outdoors, with a dirt or paved path in the foreground and buildings with red corrugated metal siding and stucco walls in the background. There is also vegetation and a utility pole with wires visible against a blue sky with some clouds. The lighting suggests it is daytime. The person's hair is voluminous and takes up a significant portion of the frame. The activity is likely hair care, possibly applying oil or a styling product. There is no visible text in the video. The overall impression is casual and outdoors, potentially in a residential area.

This media file is a close-up photograph of a young person wearing a light pink headscarf and a blue garment with intricate colorful embroidery. The person's head is tilted to the side, and their face is partially visible, showing their eye and lips. The background is blurred, but appears to be an indoor setting with wooden shelves and some equipment. The lighting suggests it could be daytime. The image is oriented sideways, with the person's head pointing towards the top of the frame. The embroidery on the garment features geometric patterns with small beads and colorful threads in shades of red, blue, green, yellow, and white. The overall impression is that of a portrait, focusing on the person's attire and facial features. The location context is Jos, Nigeria.

The image shows a person with voluminous, dark, curly hair. The person is wearing a red t-shirt and is looking upwards and to the right. In the background, there are several vehicles, including a white car with a license plate that reads "ONG 275AA", a brown tricycle-like vehicle, and a yellow and green tricycle. There are also power lines visible in the upper left of the image against a cloudy sky, suggesting it might be daytime. The setting appears to be outdoors, possibly on a street or road, with some greenery visible in the background. The overall mood seems relaxed, with the person looking up as if observing something. The presence of the vehicles and the style of the tricycles suggest a location in Nigeria, consistent with the provided location context of Jos.

The media file shows a young woman lying down in what appears to be a bedroom or living space, with a patterned black and white floor. She is wearing a white button-down shirt and her dark hair is styled in long braids. The woman is holding a stuffed toy, possibly a frog, and another fuzzy white stuffed toy against her head. Her eyes are closed, and her mouth is slightly open, suggesting she may be sleeping or resting. In the background, there is a shelf with various items, including bottles and what looks like a small vase with artificial flowers. To the right of the shelf, a laundry basket is visible, containing clothes, including a black hoodie with white text that appears to read "VALENTIN". Above the shelf, a framed picture of a person in blue jeans and a blue top is hanging on the wall. The overall lighting suggests it is daytime. The scene conveys a sense of relaxation or quietude. The location is identified as Jos, Nigeria.

A Black male is sitting on a couch with a phone in his hand. He is wearing a blue button-down shirt and ripped blue jeans. The couch appears to be in a room with a wall decorated with black and white geometric patterns. A small white oval object is on the couch next to him. The lighting suggests it is indoors.

The media file features a close-up profile view of a young Black woman smiling. She has a large, dark, afro-textured hairstyle held back with a small, orange and clear hair clip. She is wearing a red shirt. Her eyes are open and looking down and to her left, and her mouth is open in a smile, revealing her teeth. The background suggests an outdoor setting with architectural elements. A portion of a red corrugated metal roof with dark trim is visible in the upper left, and a light brown wall with some scattered debris is behind her. The lighting suggests it is daytime. The image appears to be taken in Jos, Nigeria.

A young Black woman with braided hair, adorned with a pink flower accessory, rests with her eyes closed. She wears a white button-down shirt. The background features a shelf filled with various bottles and items, and a patterned floor. The scene appears to be indoors, possibly a home or salon.

A young woman of color with dark braided hair styled into a high bun, adorned with a pink flower, is pictured from the chest up, looking to her right. She wears a crisp white button-down shirt. Her gaze is directed upwards and to the side, with a slight smile on her lips. She is wearing a delicate gold necklace. The background features a geometric black and white patterned wallpaper. To the upper left, there is a framed image of a person in blue clothing. A dark, circular pendant with a face is visible hanging from a cord on the left side of the frame. The lighting suggests an indoor setting, possibly a studio or a well-lit room. The overall impression is a posed portrait, likely taken in a domestic or commercial space within Jos, Nigeria.

A young Black woman with braided hair and a pink flower accessory is lying on a patterned black and white floor, holding two stuffed toys, one green and one white, near her face. She is wearing a white button-down shirt. Her eyes are closed, and she appears to be sleeping or resting. Behind her, a white shelf unit is filled with various bottles and containers. To her right, an orange plastic basket is visible, containing black clothing. The overall scene suggests an indoor setting, possibly a bedroom or living area, with decorative tiling on the walls. The mood seems peaceful and relaxed. No visible text is legible. The location is specified as Jos, Nigeria.

This is a vertically oriented, mirrored image of a person taking a selfie in what appears to be a closet or dressing area. A young man is the primary subject, reflected twice in a large mirror. He is wearing a dark t-shirt with a gold Adidas logo and trim, and a gold-accented collar. In the reflection, he is holding a smartphone and looking at the camera. His other reflection shows him from the chest up, also holding the phone. The setting is a room with patterned wallpaper and tiled walls. To the left of the main reflection, a textured, light-colored wall is visible, with a lightbulb fixture. To the right of the main reflection, shelves are stacked with folded clothing, including t-shirts, shorts, and what appear to be prayer mats. The colors of the clothing are varied, with red, white, black, and blue being prominent. In the background, beyond the shelves, more of the room is visible, including tiled walls and what might be a doorway or alcove with more folded textiles. The lighting suggests it is daytime. The overall impression is that of a personal space, likely a bedroom or dressing area, in a residential setting. There is no indication of weather or specific time of day beyond it being lit. The subjects' expressions are neutral, focused on the act of taking the photo. Some text is visible on the clothing, including the Adidas logo and some indecipherable writing on the shirts. The location context is Jos, Nigeria, which does not add specific visual cues to the image itself.

This media file depicts a young Black woman indoors, likely in a home setting. She is sitting down, possibly on a floor with a black and white patterned tile. The woman is wearing a white button-down shirt and gray pants. Her hair is styled in long black braids, and she has a green plush toy on her head. She is holding a smartphone in her right hand. In the background, there are shelves filled with various items, including bottles that appear to be toiletries or beverages, and a bright orange laundry basket. The walls are decorated with a geometric pattern. The lighting suggests it is daytime or a well-lit interior. The woman's expression is relaxed, and she seems to be casually interacting with her phone. There is some visible text on a black garment behind her which appears to say "JALEN." Another item of clothing, possibly a hoodie, is also visible. The overall scene is domestic and casual, with a focus on the individual and her immediate surroundings. The location is identified as Jos, Nigeria.

In this media file, two individuals are depicted within what appears to be an indoor setting, possibly a market or storage area, given the presence of shelves laden with various items and wooden structures. The scene is dimly lit, suggesting it might be evening or an interior with limited natural light. The primary subject is a woman carrying a baby on her back. She is wearing a black head covering and an orange top, with a vibrantly patterned purple and blue fabric wrapped around her legs. The baby, strapped to her back with a patterned cloth, is looking away from the camera. The woman's expression is focused downwards. In the foreground, another individual, dressed in a blue garment and a white head covering, is partially visible. This person is holding a broom made of straw. Their stance suggests they might be preparing to sweep or are in the process of cleaning. They are wearing green flip-flops. The overall environment includes concrete flooring and wooden shelves filled with what seem to be textiles, rolls of material, and other stored goods. The presence of a large black bucket is also notable. There is some visible text on the wall in the background, appearing as small posters or labels, but it is too small and blurry to be legible. The image has a candid feel, capturing everyday life in what is indicated to be Jos, Nigeria. The lighting and the activity suggest a moment captured during a potentially busy or routine part of the day.

In this image, a Black man is lying down, looking towards the camera with a surprised or excited expression. He is wearing a blue button-down shirt and blue jeans with distressed detailing on the knees. His right hand is holding a dark-colored object, possibly a phone, extended towards the viewer. He is wearing a ring on his left hand. The setting appears to be indoors, with a tiled floor and a wall decorated with a black and white geometric pattern. To his right, a portion of a black sofa or cushioned furniture is visible, with a white, egg-shaped object resting on it. In the background, there is a white metal security grate, behind which illuminated items are visible, suggesting a shop or storefront. A blue and black generator is also visible in the lower right corner of the image. The lighting suggests it might be daytime, possibly indoors with artificial lighting contributing to the overall brightness. The man's expression and the way he is holding the object could indicate he is taking a selfie or interacting with someone off-camera. The presence of the security grate and generator hints at a commercial or storage space, potentially in a bustling area. There is no visible text in the image. The location context is Jos, Nigeria.

A portrait of a young Black woman with long braided hair styled in a high bun and cascading down her back. She is wearing a white button-down shirt and looking to her right. Her left hand is resting on her chest. The background features patterned wallpaper with a geometric design, a framed painting of a person, and a framed photograph of another person. A fan is visible on the left side of the image. The overall impression is that of an indoor setting, possibly a residential or personal space, in Jos, Nigeria.

A person wearing a black hoodie, black pants, and black sandals is standing outdoors on a paved surface next to a grassy ditch. They are carrying a light brown backpack with the word "HIPPOILO" embossed on it. The scene appears to be in an urban or semi-urban environment, as suggested by the paved road, buildings in the background, and a brick wall. The sky is overcast, indicating cloudy weather. The time of day is likely daytime, given the ambient light. The person's body language and the context of walking with a backpack suggest they might be commuting, traveling, or on their way to or from an activity.

The image depicts a street scene in Jos, Nigeria, on an overcast day. The street is paved with asphalt and appears to be somewhat neglected, with some patches of dirt and debris. On the left side of the street, several buildings with corrugated iron roofs line the road, some appearing to be shops or small residences. A few people are visible walking along the street, including a man in a tan shirt and dark pants, and another person in a blue shirt. Further down the street, a green and yellow auto-rickshaw is moving. On the right side of the street, there are more buildings, one of which has a white sheet or tarp hanging on its facade. Behind this sheet, some papers with text are visible, although the text is mostly illegible. A large white banner or sign on the right edge of the image has prominent text that reads "MEGA WHOLE" at the top, and "RETAIL" below it. Further down, another word is partially visible, starting with "HER". Below "RETAIL", a phone number is visible: "08089468726". In front of the building on the right, several plastic chairs are stacked or piled up. Some are orange, blue, and green. There is also some wooden debris. A lone white plastic chair stands upright. The overall impression is a typical street scene in a busy, possibly commercial, area in Nigeria, with a mix of residential and business establishments, pedestrian and vehicular traffic, and a sense of everyday life unfolding. The cloudy sky suggests it might be mid-day or later in the afternoon.

The image shows the exterior of a building with a red corrugated metal roof. A black metal gate, decorated with a silver circular emblem and two horizontal silver handles, stands in front of the building. Barbed wire is strung along the top of a low wall that extends from a reddish-brown pillar supporting part of the gate. The building itself has a cream-colored facade with several windows visible. The ground in front of the gate is a mixture of dirt, gravel, and some scattered debris, with a small puddle of water. The sky is overcast. The location is the city of Jos, Nigeria.

The image shows a man sitting on a wooden chair in an indoor setting. He is wearing a blue button-down shirt and blue jeans. The man is looking towards the camera with a neutral expression. His left arm is resting on his lap, and his right hand is holding a smartphone. A white egg is visible on a dark upholstered surface behind him. The background features a wall with a black and white geometric pattern and a textured dark surface that appears to be part of a bench or seating area. In the foreground, there are some white framed structures and electrical wires, suggesting a workshop or storage area. The lighting in the image appears to be artificial, casting soft shadows. No specific time of day or weather conditions are discernible. The man's attire and the presence of a smartphone suggest a contemporary setting. The overall atmosphere is casual and candid.

The image captures a scene from the back of a pickup truck, looking towards a street lined with trees and buildings. In the foreground, the legs of two individuals are visible, one wearing black sweatpants and adidas slides, and the other wearing blue sweatpants. The truck bed is white and shows signs of wear. Beyond the truck, a row of red crates is stacked, likely containing goods. A large white truck with a similar load is parked nearby. The background reveals a street with several cars parked, including a silver SUV and a white van. Buildings of varying architectural styles, typical of residential areas, are scattered across a slightly hilly landscape. The presence of a street lamp suggests an urban or semi-urban setting. The scene appears to be outdoors during the daytime. The sky is overcast, indicating potentially cloudy weather. The lush green foliage of trees and bushes suggests a climate with ample rainfall. The overall atmosphere is casual and utilitarian, possibly depicting a moment of transport or a pause during a journey or delivery. No visible text is present in the image. The location context is Jos, Nigeria.

This image captures an interior view of what appears to be a small-scale processing facility, possibly in Jos, Nigeria. In the foreground, a large, blue industrial machine with prominent ribbed sections and belt-driven pulleys dominates the lower half of the frame. To the left, another similar machine's motor is visible. In the middle ground, several individuals, including two women wearing tank tops, are interacting with machinery and stacks of bagged materials. One woman in a yellow top and black skirt is positioned near a machine, while another in a blue shirt is seated among sacks. In the background, more bagged materials are stacked high, suggesting storage or the raw materials for processing. The environment appears utilitarian, with concrete walls and ceiling, and industrial ventilation fans visible. The lighting is a mix of natural light coming from an open doorway in the background and artificial light fixtures.

In the city of Jos, Nigeria, a group of individuals are gathered outdoors, near a building with a reddish-brown facade. The foreground is dominated by a pile of large woven sacks, some of which are open and spilling their contents. One sack in the foreground displays the partial text "ACE" in red lettering. Other visible sacks have patterned designs in orange, black, and pink. In the mid-ground, two men are facing each other. The man on the left wears a dark jacket and is looking at a smartphone. The man on the right is wearing a green and black t-shirt with "shluxe" written on it in orange. Further in the background, another individual in a dark blue outfit appears to be interacting with other people and possibly moving sacks. The ground surface is a dark, rough texture, possibly asphalt or dirt. Several stacks of sacks are visible on a raised platform near the building's entrance. An air conditioning unit is mounted on the building's wall. The lighting suggests it is daytime.

The image shows a young Black woman with her hair in braids, adorned with a pink flower accessory. She is wearing a white collared shirt and is posed close to the camera, with her face angled towards it. Her expression is relaxed and she appears to be smiling gently. Behind her, shelves with various items are visible. These include bottles of different sizes and colors, some appearing to be cosmetic or personal care products. The background features a patterned wallpaper with a geometric design. To the right, a portion of a round, orange object with a perforated surface is visible. The lighting suggests an indoor setting, possibly during the daytime given the bright illumination. The overall mood conveyed is one of casual comfort and youthful confidence. There is no discernible text within the visible parts of the image.

The image shows a young Black person with braided hair, wearing a white button-down shirt. They are lying down, with their head resting on their shoulder and their eyes closed. Their lips are slightly parted, and there is a piercing on their neck. A hand with long, manicured fingernails is visible near their face. In the background, there are shelves with various objects, including bottles and red cups. A patterned wallpaper is also visible behind the person. The person is holding a dark-colored smartphone in their right hand. The scene appears to be indoors, likely in a residential setting, given the shelves and wallpaper. There is no indication of the time of day or weather. The person's closed eyes and relaxed posture suggest they may be resting or sleeping. The location is identified as Jos, Nigeria.

A young Black woman with braided hair styled in a high bun and long braids is shown from the chest up, looking towards the viewer. She is wearing a white button-down shirt and a delicate necklace. She is holding a smartphone in her right hand, which displays a patterned case. The background features a geometric black and white patterned wallpaper on the left and a white shelf unit with various items on the right, including bottles and what appears to be fruit. The woman's skin has visible pores and blemishes, and she is wearing dramatic false eyelashes and lip gloss. The scene is brightly lit, suggesting an indoor setting. The image is captured at a close-up to medium shot.

In Jos, Nigeria, a young woman with braided hair adorned with a pink flower sits facing left, looking down with her eyes closed. She is wearing a white button-up shirt and grey pants. She is seated on a black surface next to a large, orange perforated laundry basket filled with clothes. To her left, a patterned black and white wallpaper covers the wall. Behind her, shelves are filled with various bottles and containers. A blue basket is visible to the right of the orange laundry basket. The overall environment appears to be an indoor domestic setting.

A young woman with long braided hair, wearing a white collared shirt, is sitting in what appears to be a room in Jos, Nigeria. She is holding her right hand up to shield her face from the camera. The background features patterned wallpaper, a white shelf unit with various items including bottles and a green avocado, and a framed picture on the wall. To the right, an orange plastic laundry basket is visible. The lighting is dim, creating shadows.

In Jos, Nigeria, a young woman with long braided hair styled in pigtails is seated in front of a wall adorned with a black and white geometric pattern. She is wearing a white button-down shirt. Her right hand is raised, with her fingers forming a gesture. She appears to be biting or touching her finger with her mouth. To her right, an orange laundry basket filled with clothes is visible. A white shelf unit is mounted on the wall behind her, containing various items, including bottles and what appears to be a green fruit. The lighting suggests an indoor setting.

A young woman with braided hair piled high is seated in a room that appears to be a bathroom in Jos, Nigeria. She is wearing a white button-down shirt and gray pants. Her left arm is resting on an orange laundry basket, and she is holding a fluffy white object with her right hand. A green stuffed toy is visible on her lap. The background features patterned tiles on the walls and shelves with various items, including bottles and toiletries.

The image features a young Black woman lying down, holding a green plush toy to her face. She is wearing a white button-down shirt and grey pants. Her hair is styled in long black braids. She is looking at the camera with her mouth open, revealing her teeth, and appears to be smiling or laughing. A dark-colored smartphone is in her right hand. Behind her, an orange plastic laundry basket is visible, along with what appears to be a black hoodie or jacket draped over something. A shelf unit with various items, including bottles, is to her left. The background wall has a patterned design of black and white geometric shapes. The lighting suggests it's indoors, possibly at night or in a dimly lit room. The scene appears to be in a domestic setting. There is no visible text in the image. The context provided indicates the location as Jos, Nigeria.

A woman with braided hair adorned with a pink flower is resting with her eyes closed. She is wearing a white button-up shirt. The background features a shelf filled with various bottles, a red cup, and some decorative items. Below the shelf, a black and white geometric patterned wallpaper is visible, with a painting of a woman in blue water on the left. The scene appears to be indoors, possibly in a bedroom or dressing area, given the personal items on the shelf and the painting. The lighting suggests it could be daytime, but there are no clear indicators of the specific time of day. The overall mood is one of relaxation or repose. No visible text is present in the image.

A young Black male is posing for a photo in an outdoor setting. He is wearing a black traditional outfit with gold embroidery around the neckline and down the chest. He has short, dark hair and a light brown complexion. He is looking directly at the camera with a slight smile. His right hand is raised, and he is holding a nail clipper between his index and middle fingers, with his thumb extended. His left hand is also raised, with his index finger pointing. Behind him, there is a building with a light-colored wall and a reddish-brown lower section. A red, corrugated metal roof is visible on the left side of the frame. A black metal fence with decorative swirls and barbed wire runs along the wall of the building. Green foliage and trees are visible through the fence. The lighting suggests it is daytime, likely midday due to the bright sunlight. The scene appears to be in a residential or public area. There is no visible text in the image.

In Jos, Nigeria, a young man walks on a paved road in front of a row of shops. He is wearing a black and gray tie-dye sweatshirt with a white Louis Vuitton logo and black track pants with white stripes. He is also wearing white slide sandals. The road has some debris on it. To the man's right, there is a stone wall with white graffiti on it. Behind the wall, there is a patch of grass. To the man's left, there are several shops with corrugated metal roofs and some stalls with goods displayed. A yellow auto-rickshaw is parked on the side of the road. In the background, there are buildings with colorful facades. The sky is overcast.

A close-up shot shows a young Black woman in Jos, Nigeria, sitting at a wooden table and writing in a notebook. She is wearing a black, puffed-sleeve top and a pink and white headscarf. A gold necklace with a cross pendant is visible. Her left hand rests on the page, steadying it as she writes with a red pen. A smartphone with keys on it lies on the table to her right. In the background, a refrigerator stocked with drinks and stacked boxes are visible, suggesting the setting is a small shop or business. The lighting appears to be natural, possibly from a window, and the scene is well-lit, suggesting it is daytime. The woman's focused expression indicates she is engaged in her task, possibly managing accounts or taking notes for her business. The overall impression is one of industriousness and daily life in a Nigerian setting.

This media file depicts a group of young students, likely returning from or heading to school, walking along a dirt road in a semi-urban or rural area. The subjects are primarily children dressed in school uniforms. One child in the foreground wears a light blue shirt and pants, carrying a white and beige bag. Behind them, three girls in blue skirts and white shirts are walking away from the camera, each carrying a backpack. The girl in the middle has a black backpack with a star design, while the girl to her right has a tan backpack. Another child in the far right, also in a blue skirt and white shirt, wears a tan backpack and is seen from the back. The setting is outdoors, with a dirt road and patches of dry vegetation. In the background, there are buildings with corrugated metal roofs, a grey wall with gates, and some trees. Several vehicles are visible, including a dark blue SUV and a red car with its hood open, suggesting a mechanic's shop or a roadside repair area. Power lines and poles are also present, indicating infrastructure in the vicinity. The activity is simply walking. The weather appears to be daytime, with overcast or hazy skies, suggesting it could be a humid or slightly cloudy day. There are no overt indications of strong emotions, with the children appearing to walk purposefully. The ground is dry and dusty, typical of a dry season or arid environment. While there is no visible text in the image itself, the context provided indicates the location as Jos, Nigeria.

A lone child, viewed from behind, walks away from the camera on a dusty, dirt path. They are wearing a light-colored long-sleeved shirt and checkered green and white pants. A grey backpack is slung over their shoulders. The child is also carrying what appears to be a dark, curved object, possibly a stick or a piece of wood, in their right hand. The setting is an outdoor environment with a cracked asphalt road running parallel to the dirt path. On the left side of the frame, there is a crumbling stone wall and some sparse green vegetation. In the background, a concrete wall topped with barbed wire fencing suggests a residential or institutional area. Beyond the concrete wall, a few green plants are visible. The ground is a mixture of sand, dirt, and small stones, with a discarded white piece of material visible in the foreground. The overall scene is consistent with a dry, perhaps hot, day. The time of day is not definitively indicated but the lighting suggests it is daytime. No text is visible in the image.

The image depicts a scene at an auto repair workshop in Jos, Nigeria. The primary subjects are three men engaged in the repair of a silver car with its hood open. One man, wearing a dark quilted vest over a maroon shirt and dark trousers, is bent over the engine, appearing to work on it. He has a red tool handle protruding from his trouser pocket. Another man, dressed in a tan short-sleeved shirt and blue jeans, stands beside the car, looking towards the engine. He wears a red baseball cap and a gold watch. The third man, whose hands are prominently featured in the foreground, is wearing a blue shirt and appears to be examining something in his hands, possibly a document or a part. The setting is an outdoor workshop with a dirt ground. In the background, other vehicles, including a dark blue sedan and parts of other cars, are visible, suggesting a busy repair environment. Tools and car parts are scattered around the ground. A large metal structure, possibly a makeshift car lift or part of the workshop's infrastructure, is visible on the right side of the frame. A black car mat lies on the ground in front of the silver car. The time of day appears to be daytime, and the weather seems overcast, indicated by the lighting and the sky. The overall atmosphere suggests active work is underway. The license plate of the silver car is visible and reads "ABC-4".