A summer evening moving through central Yerevan's landmarks and streets.

The image depicts a small, artificial tree with sparse branches and foliage, illuminated by a dual-toned light projection that casts a yellow and pink glow on the wall behind it. The tree is potted in what appears to be a light-colored planter filled with small white stones, placed on a dark surface. A small, reflective object, possibly a mirror or decorative piece, is visible near the base of the tree. The background wall is textured and has horizontal elements, suggesting an indoor or covered outdoor setting. To the left, a grey, vertically ribbed curtain or panel is visible. The overall lighting suggests a nighttime or dimly lit environment. This image does not contain any discernible elements that would allow for its identification with a specific location in Yerevan, Armenia.

A night scene in Yerevan, Armenia shows a restaurant named "Katsin" with an outdoor seating area decorated with greenery and lights. The facade of the restaurant is visible, with large glass doors. Several cars are parked on the street in front of the establishment, including a white car on the left and a black Mercedes-Benz sedan in the center. The license plate of the black car reads "11 ST 011". A person is seen walking away from the restaurant. The overall ambiance is that of a lively urban evening.

A close-up, eye-level shot features a lush floral arrangement in a lavender box, possibly a gift. The bouquet is a vibrant mix of colors, dominated by deep purples, burgundies, and whites. Among the prominent flowers are large, ruffled burgundy blooms, white dahlias, and delicate purple lisianthus with white-edged petals. Small green berries and sprigs of greenery add texture and volume. Two white ribbons, printed with "VITA fiori" and a circular logo, are intertwined with the flowers, adding a decorative touch. The background is softly blurred, suggesting a reflective surface like a window or glass enclosure, with hints of greenery and red foliage visible through it, potentially from a store or an outdoor display in Yerevan, Armenia. The lighting is soft, highlighting the textures and colors of the flowers. There are no people or discernible actions in the frame.

The image captures a nighttime scene in Republic Square, Yerevan, Armenia. In the foreground, a vintage-style street lamp with multiple illuminated globes stands prominently on the right. Beyond the lamp, a dark asphalt road is visible, with several cars in motion, their headlights and taillights blurred due to the long exposure. A person on a motorcycle, wearing a yellow delivery bag on their back, is also traveling on the road. The motorcycle's headlight is illuminated. In the mid-ground, a large, ornate building with a grand facade is lit from within, casting a warm orange glow through its numerous windows and illuminating the architectural details like columns and arched doorways. Trees are scattered in front of the building. In the background, a tall, slender tower, likely the Yerevan TV Tower, is illuminated with a bright blue light against the dark night sky. The overall ambiance of the image is that of a bustling city at night, with a blend of historical architecture and modern city life.

A large, gray KAWS Companion sculpture is displayed outdoors. The sculpture is seated with its large gloved hands covering its face, revealing the signature "X" marks on its palms. It has large ears that curve over its head and a squat, rounded body. The sculpture is positioned on a tiled floor, with a textured stone wall and a brick wall forming the backdrop. A light fixture is visible on the left side of the frame, casting a warm glow on the brick wall. The sculpture's large feet, also featuring "X" marks, are prominent in the foreground. The setting suggests an urban public space, potentially a plaza or a museum courtyard. The image was taken in Yerevan, Armenia.

This image captures a life-sized sculpture of the KAWS Companion character, rendered in a matte grey finish. The figure is seated, with its large, gloved hands covering its face, a pose often associated with sadness or shame. The sculpture's distinct "X" marked eyes are visible on its hands. The sculpture is situated outdoors, likely in a public space in Yerevan, Armenia. The background consists of a textured stone wall, possibly a building facade. Two wall-mounted lights, one above the other, cast warm light downwards onto the wall and the sculpture. The ground is paved with large, rectangular stone tiles, indicative of a plaza or pedestrian walkway. The lighting suggests it is evening or night, with the artificial lights being the primary source of illumination. The overall mood is somber, amplified by the sculpture's posture and the dim, atmospheric lighting.

The image depicts a multi-headed ornate lamppost against a dark night sky. The lamppost features multiple lanterns, some emitting a warm pinkish-white light and one emitting a yellow light. The lanterns are hexagonal with frosted glass panels. The lamppost itself is made of dark metal with decorative scrollwork. The lower right corner of the image shows a few green leaves, suggesting the presence of some foliage nearby. The scene appears to be an outdoor urban setting, possibly a park, square, or street in the city of Yerevan, Armenia, given the style of the lamppost which is reminiscent of historical street lighting found in some European-influenced urban areas. There are no people or animals visible in the image.

The image displays the interior of the Jivan Restaurant in Yerevan, Armenia. The focal point is a large, ornate red Persian rug hanging on a wall, serving as a backdrop for the restaurant's name, "JIVAN RESTAURANT," displayed in prominent white lettering. Above the rug, an elaborate crystal chandelier hangs amidst lush green foliage and decorative red fruits. To the left of the rug, a bale of straw is visible, contributing to the rustic ambiance. The overall scene suggests a visually rich and thematic dining environment.

The image depicts a nighttime urban scene in Yerevan, Armenia. In the foreground, a dark-colored SUV is parked on a street, its taillights faintly visible. To its right, a white sedan is also parked, with its brake lights illuminated. Further down the street, a streetlight illuminates a dense green tree, casting a bright glow. In the background, several multi-story buildings are visible. One building on the far right has an architectural design featuring vertical strips of light. Another taller building in the center features a similar pattern of illuminated vertical lines against a dark facade. The overall ambiance is that of a city street at night, with artificial lighting from buildings and streetlights contrasting with the dark sky. Two individuals are walking on the sidewalk in the middle ground, one carrying bags.

The image shows a close-up, low-angle shot of the exterior of a building at night, likely in Yerevan, Armenia, given the context. The building's facade features classical architectural elements, including columns and ornate carvings. Red neon lights are visible at the top right of the frame, suggesting the building might be a commercial establishment or have illuminated signage. The scene is dramatically lit by artificial lights, casting deep shadows and highlighting the textures of the stone. The majority of the image is dark, with the black sky contrasting with the illuminated portions of the architecture. There are no people or active events depicted.

The image depicts an indoor scene, likely staged, with a dark gray wall as the backdrop. In the foreground, a rustic wooden chest serves as a surface, adorned with a richly patterned red and gold rug. Two large, earthenware amphorae are placed on the rug, one leaning on its side and the other upright. To the right of the chest, a large bale of hay is positioned, upon which a bunch of dark purple grapes rests. The floor is dark and appears to be concrete or a similar material, scattered with straw. A portion of a red, patterned rug hangs on the far right, suggesting it's part of the background arrangement. The lighting is dim, casting soft shadows. There are no people or animals visible in the image. The scene evokes a sense of history and perhaps a harvest or traditional theme, but there are no specific clues to pinpoint its location within Yerevan, Armenia, beyond the general aesthetic which could be found in various settings.

The image depicts a still life arrangement on a large bale of straw. Several bunches of dark red grapes are scattered across the straw, with some individual grapes lying loose. The background features a dark, textured wall on the left and a section of a red and beige patterned rug on the right. The lighting is dim, creating shadows and highlighting the textures of the straw and grapes. The scene appears to be indoors or under a covered area, as suggested by the absence of direct sunlight and the presence of a wall. There are no people or animals visible in the image. The setting does not provide any specific clues that would allow for precise location identification within Yerevan, Armenia.

The image shows a facade of a building with stone cladding, illuminated by spotlights. Prominently displayed on the wall is a large, three-dimensional sign spelling "BEM" in dark red letters, with smaller dark red letters below it reading "BY KAREN SEVAK". In front of the wall, there are planters filled with various green plants and foliage. The scene is viewed through a glass partition, with reflections of the interior visible on the glass. The overall impression is of an exterior signage for a business or establishment. This establishment is located in Yerevan, Armenia.

This image depicts an interior scene with two distinct wall treatments. On the left, a wall is covered in floral wallpaper featuring a pattern of red and purple tulips with green leaves. This wallpaper is framed by white molding. To the right of the molding, the wall is paneled with dark brown wood, arranged in vertical slats. Mounted on the slatted wooden wall is a modern brass light fixture with two cylindrical white fabric shades. One shade is illuminated, casting a warm glow. A small, white rectangular object is affixed to the wooden paneling, adjacent to the white molding. The overall impression is one of sophisticated interior design. The location is specified as Yerevan, Armenia, though no specific identifying landmarks or context are visible in the image to confirm this.

A hand holds a waffle cone filled with a swirl of pink and yellow soft-serve ice cream. The ice cream is swirled in a tight spiral, with distinct ridges. The waffle cone is golden brown and textured. The background is a blurry, gray tiled floor with a black geometric pattern. There is a hint of a red-lit area in the upper left corner of the image, possibly a sign or display. The lighting suggests an indoor environment, likely a cafe or ice cream parlor, possibly in the city of Yerevan, Armenia, given the tiled floor pattern often found in public spaces there.