Ea0E6RFFJfW1lApBLd1cMNk5Dk42

REIKObass

Creator

Sat, Mar 28, 2026, 03:07 PM

Buenos Aires, Argentina

-34.60900, -58.40600

The scene depicts the interior of a Subte (subway) car in Buenos Aires, Argentina, presented in black and white. Approximately ten individuals are visible, occupying seats and standing in the aisle. M…read more

Melancholy
Apathy
Anonymity
Isolation
Monotony

Technical

ID

776e015d-b282-4a9a-a

Usage Rights

This media is free for non-commercial use with proper attribution.

Commercial use, AI/ML training, and derivative works are prohibited without explicit consent from the creator.

Licensed under CC BY-NC 4.0 with additional AI/ML restrictions. Full terms →

The scene depicts the interior of a Subte (subway) car in Buenos Aires, Argentina, presented in black and white. Approximately ten individuals are visible, occupying seats and standing in the aisle. Most passengers are engaged with their mobile phones, holding them at chest or waist level and looking downwards. On the left, a man with short, dark hair stands, holding a phone in his right hand. Further back, another woman stands, also holding a phone. In the mid-ground, a woman with dark hair stands near a vertical pole, looking at her phone. She wears a light-colored top and dark shorts, with a patterned bag hanging from her shoulder. Her right foot, clad in a dark sneaker, is visible. To the right, several passengers are seated. One individual on the rightmost seat wears a dark hooded garment and white socks with dark sneakers, also focused on a phone. Adjacent to them, another person with a dark hat and white t-shirt with a graphic design sits, looking straight ahead, with a backpack on the floor beside them. Further left, a person is seated, holding a dark bag on their lap. Above the seated passengers, a system of horizontal bars and numerous white hanging grab handles is visible. Vertical support poles run throughout the car's interior. In the upper background, overhead signage is partially visible, including a sign displaying "Pró." and another with the letter "M." The floor is dark and uniform. The lighting appears to be overhead fluorescent, casting soft shadows. No direct interactions between passengers are evident; the primary action is individual focus on personal devices.