A nighttime photograph shows Robert Indiana's "LOVE" sculpture positioned outdoors in front of a modern high-rise building. The sculpture is a large, three-dimensional block letter arrangement featuring light blue frontal surfaces and red inner/side surfaces, with "LO" stacked atop "VE" and the "O" tilted. The scene is located at Euljiro Tower in Seoul, South Korea. This is identifiable by visible Korean signage on the building's facade, including "을지로타워" (Euljiro Tower) and "을지로 6-1" (Euljiro 6-1). Additional illuminated signs for businesses such as "구름산추어탕" (Gureumsan Chueotang), "THE VENTI" (coffee/beverage), "PILATES / CAFE 101," and "아비꼬" (Abiko) are also present. A "DISTRICT.M" directory indicating B1 and B2 levels stands on the left. The background building features multiple stories of glass windows reflecting interior lights, and escalators are visible within its structure. The immediate foreground contains a tiered bed of dry, light brown ornamental grasses or reeds, illuminated from below by ground lights. A low woven fence borders this planting area. One distant, indistinct human figure is visible on the far left side of the frame. The entire scene is artificially lit. in Seoul, South Korea

dori

Mar 24, 2026, 10:37 AM

Seoul, South Korea

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A nighttime photograph shows Robert Indiana's "LOVE" sculpture positioned outdoors in front of a modern high-rise building. The sculpture is a large, three-dimensional block letter arrangement featuring light blue frontal surfaces and red inner/side surfaces, with "LO" stacked atop "VE" and the "O" tilted. The scene is located at Euljiro Tower in Seoul, South Korea. This is identifiable by visible Korean signage on the building's facade, including "을지로타워" (Euljiro Tower) and "을지로 6-1" (Euljiro 6-1). Additional illuminated signs for businesses such as "구름산추어탕" (Gureumsan Chueotang), "THE VENTI" (coffee/beverage), "PILATES / CAFE 101," and "아비꼬" (Abiko) are also present. A "DISTRICT.M" directory indicating B1 and B2 levels stands on the left. The background building features multiple stories of glass windows reflecting interior lights, and escalators are visible within its structure. The immediate foreground contains a tiered bed of dry, light brown ornamental grasses or reeds, illuminated from below by ground lights. A low woven fence borders this planting area. One distant, indistinct human figure is visible on the far left side of the frame. The entire scene is artificially lit.

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