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A framed woodcut print, "Cabeça de rabino" (Head of a Rabbi) from 1919, is prominently displayed on a light-colored wall within the Museu Lasar Segall in São Paulo, Brazil. The artwork, an abstract black and white xylography on beige paper, depicts a stylized, cubist-influenced bust of a figure with an elongated face, a prominent nose, and hands positioned at the chest. The print is signed on its lower left and right. It is set within a wide white mat and enclosed by a dark, rectangular frame. Reflections of overhead square light fixtures and subtle environmental elements are visible on the frame's glass. A small white informational label is affixed to the wall below the frame on the right, detailing the artwork's title, date, medium ("xilogravura sobre papel"), and its belonging to the "Acervo Museu Lazar Segall." No individuals are present in the scene. The setting is consistent with a museum or gallery exhibition space.
Mrv

Jul 28, 2025, 4:45 PM

São Paulo, Brazil

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A framed woodcut print, "Cabeça de rabino" (Head of a Rabbi) from 1919, is prominently displayed on a light-colored wall within the Museu Lasar Segall in São Paulo, Brazil. The artwork, an abstract black and white xylography on beige paper, depicts a stylized, cubist-influenced bust of a figure with an elongated face, a prominent nose, and hands positioned at the chest. The print is signed on its lower left and right. It is set within a wide white mat and enclosed by a dark, rectangular frame. Reflections of overhead square light fixtures and subtle environmental elements are visible on the frame's glass. A small white informational label is affixed to the wall below the frame on the right, detailing the artwork's title, date, medium ("xilogravura sobre papel"), and its belonging to the "Acervo Museu Lazar Segall." No individuals are present in the scene. The setting is consistent with a museum or gallery exhibition space.

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Mrv

Jul 28, 2025, 4:45 PM

São Paulo, Brazil

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