A female individual is captured taking a mirror selfie inside Baik Cycling Studio, located at Vía Atlixcáyotl 5002, Reserva Territorial Atlixcáyotl, 72820 San Andrés Cholula, Puebla, Mexico. The subject, visible from mid-thigh up, is wearing a white one-shoulder sports bra, light green cycling shorts, and white sneakers, holding a smartphone to photograph her reflection. Her face is obscured by the device. The interior space features a minimalist, industrial design with exposed concrete ceilings, white electrical conduits, and a light gray concrete floor. To the left of the subject's reflection, a row of white metal lockers with black handles extends down a wall; some lockers are ajar, one revealing a dark garment. Three cylindrical silver pendant lights are suspended from the ceiling near reflective "BAIK" lettering on the wall. Further into the room, two dark-framed wooden benches are positioned, alongside a black trash can and a low counter featuring a small dark-leafed plant. A tall, variegated snake plant is partially visible in the foreground on the right. The far end of the studio is characterized by a large glass exterior wall. A prominent white graphic of a stylized bicycle, surrounded by dots, is etched onto this glass, confirming the studio's identity. Through the glass, a multi-lane road with passing vehicles, modern buildings, and general urban infrastructure under bright daylight are visible. Exposed white conduits and gray electrical boxes with outlets are present on the white wall to the right of the mirror. A green "Salida de Emergencia" (Emergency Exit) sign is reflected high on the back wall. in Puebla, Mexico

ashley:)

Mar 25, 2026, 4:04 PM

Puebla, Mexico

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A female individual is captured taking a mirror selfie inside Baik Cycling Studio, located at Vía Atlixcáyotl 5002, Reserva Territorial Atlixcáyotl, 72820 San Andrés Cholula, Puebla, Mexico. The subject, visible from mid-thigh up, is wearing a white one-shoulder sports bra, light green cycling shorts, and white sneakers, holding a smartphone to photograph her reflection. Her face is obscured by the device. The interior space features a minimalist, industrial design with exposed concrete ceilings, white electrical conduits, and a light gray concrete floor. To the left of the subject's reflection, a row of white metal lockers with black handles extends down a wall; some lockers are ajar, one revealing a dark garment. Three cylindrical silver pendant lights are suspended from the ceiling near reflective "BAIK" lettering on the wall. Further into the room, two dark-framed wooden benches are positioned, alongside a black trash can and a low counter featuring a small dark-leafed plant. A tall, variegated snake plant is partially visible in the foreground on the right. The far end of the studio is characterized by a large glass exterior wall. A prominent white graphic of a stylized bicycle, surrounded by dots, is etched onto this glass, confirming the studio's identity. Through the glass, a multi-lane road with passing vehicles, modern buildings, and general urban infrastructure under bright daylight are visible. Exposed white conduits and gray electrical boxes with outlets are present on the white wall to the right of the mirror. A green "Salida de Emergencia" (Emergency Exit) sign is reflected high on the back wall.

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