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In Adankolo, Nigeria, a woman stands on an asphalt road, holding a black tub filled with colorful fabrics. She wears a pink top, a patterned red and yellow wrap, and light blue trousers. Her feet are clad in dark sandals. Behind her, a black metal gate fronts a building with blue-tinted windows. To the left, a partially visible white vehicle and green wheelbarrow sit. Further back, three men stand near the gate. Debris litters the road. The lighting is overcast.
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