This image displays a framed, sepia-toned illustration, likely a drawing, depicting a substantial pile of approximately 40-50 vintage cathode-ray tube (CRT) television sets. The televisions, varying in size and orientation, are shown falling or piled downwards, actively crushing a human figure. A detailed human hand with splayed fingers emerges from beneath the lower-left portion of the television pile, and a lower leg or foot is partially visible on the lower-right. Ground disturbance lines radiate from the crushed figure. Many television screens are blank, while others show details of control panels and grilles. The artist's signature, "Ricardo," is visible in the lower right corner of the drawing. The artwork is encased within a glossy, dark red frame or display, featuring a prominent reflective glare spot on its upper-left surface and a silver Philips head screw securing the frame near the upper-right. This scene is located within an interior exhibition space in the city of São Paulo, Brazil. in São Paulo, Brazil

Mrv

Sep 1, 2025, 7:02 PM

São Paulo, Brazil

Stake attention in this memory

Oppression

Overwhelmed

Captivity

Claustrophobia

Anxiety

This image displays a framed, sepia-toned illustration, likely a drawing, depicting a substantial pile of approximately 40-50 vintage cathode-ray tube (CRT) television sets. The televisions, varying in size and orientation, are shown falling or piled downwards, actively crushing a human figure. A detailed human hand with splayed fingers emerges from beneath the lower-left portion of the television pile, and a lower leg or foot is partially visible on the lower-right. Ground disturbance lines radiate from the crushed figure. Many television screens are blank, while others show details of control panels and grilles. The artist's signature, "Ricardo," is visible in the lower right corner of the drawing. The artwork is encased within a glossy, dark red frame or display, featuring a prominent reflective glare spot on its upper-left surface and a silver Philips head screw securing the frame near the upper-right. This scene is located within an interior exhibition space in the city of São Paulo, Brazil.

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