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A carved wooden sculpture, identified as "ANOMAN PATUNG UKIRAN KAYU" (Anoman Wooden Carving), is displayed in a museum or gallery setting in West Jakarta, Indonesia. The sculpture, likely depicting the mythical monkey-god Hanuman (Anoman), is intricately carved from dark wood, showing a humanoid figure with detailed facial features and body. It appears to be housed within a clear glass display case, evident from the reflections on the surface.

To the right of the sculpture, a white rectangular label provides descriptive text in both Indonesian and English. The text explains that Anoman is the general (Senopati) of Prabu Ramawijaya, known for helping reclaim Dewi Shinta. He is the son of Dewi Anjani and spent his childhood studying with Bathara Bayu. His heroic tales, such as "Anoman Duta" and "Anoman Obong," are featured in puppet plays. In his old age, Anoman became a priest in Kenalisada until the Kediri Kingdom's downfall. A QR code is also visible on the label. The overall scene suggests a static exhibition, with the artifact presented for public viewing and informational purposes.
FM-vuZuf1

Jan 10, 2025, 7:37 AM

West Jakarta, Indonesia

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A carved wooden sculpture, identified as "ANOMAN PATUNG UKIRAN KAYU" (Anoman Wooden Carving), is displayed in a museum or gallery setting in West Jakarta, Indonesia. The sculpture, likely depicting the mythical monkey-god Hanuman (Anoman), is intricately carved from dark wood, showing a humanoid figure with detailed facial features and body. It appears to be housed within a clear glass display case, evident from the reflections on the surface. To the right of the sculpture, a white rectangular label provides descriptive text in both Indonesian and English. The text explains that Anoman is the general (Senopati) of Prabu Ramawijaya, known for helping reclaim Dewi Shinta. He is the son of Dewi Anjani and spent his childhood studying with Bathara Bayu. His heroic tales, such as "Anoman Duta" and "Anoman Obong," are featured in puppet plays. In his old age, Anoman became a priest in Kenalisada until the Kediri Kingdom's downfall. A QR code is also visible on the label. The overall scene suggests a static exhibition, with the artifact presented for public viewing and informational purposes.

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FM-vuZuf1

Jan 10, 2025, 7:37 AM

West Jakarta, Indonesia

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