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A collection of approximately twenty-five religious and cultural figurines, consistent with East Asian iconography, is displayed on a dark brown wooden surface against a uniformly painted yellow wall in Diên Khánh, Vietnam. The figurines are primarily constructed from ceramic or porcelain, exhibiting various sizes, colors, and designs. A tall, light-skinned female figure, wearing a dark gray and black robe with gold accents, a gold crown, and necklaces, stands prominently in the background. Her right hand is raised in an abhaya mudra. To her right, a white-robed, bald Buddha figure is seated, holding a scroll-like object. To her left, another figure in black and white robes, adorned with a gold crown, holds a long, slender object and a round, textured item. In the foreground and mid-ground, two large seated female figures are central. The left figure wears an orange and white robe with a tall, decorated headpiece, holding a small, round object. The right figure wears an orange and light green robe with gold dragon patterns and a similar tall headpiece, holding a string of prayer beads. Between these, a darker, weathered standing figure with a prominent beard is visible. Numerous smaller, varied figurines in white, gold, and multi-colored robes, some positioned on pink and green lotus bases, populate the remaining spaces of the wooden display surface. The wooden surface exhibits a polished finish and visible wood grain.
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