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This image captures an exhibition display focused on design from the 1970s and 1980s, titled "CONTROCULTURA E INTROSPEZIONE" (Counterculture and Introspection). The scene is set in a dimly lit indoor space, likely a museum or gallery, with spotlights illuminating the exhibits.

On the left, a large poster features a woman with long, dark hair, dressed in a cream-colored outfit with cut-out sleeves, sitting poised in a striking red, organic-shaped armchair, possibly the "Up 5" by Gaetano Pesce. Below this, two smaller, round red seats or poufs are arranged on the floor.

The center of the display showcases a tall, textured, bright lime-green cactus-shaped object, known as the "Cactus coat stand" by Gufram. Beside it, a clear glass display box holds a shiny, reflective silver object. On the floor in front, a luminous, coiled white tube light emits a soft glow. Further right, two whimsical lamps with white, shaggy, furry shades and minimalist metal bases are displayed.

To the far right, a colorful, multi-level modular shelving unit, characteristic of the Memphis Group style, is prominent. It features an eclectic mix of geometric shapes and bold colors including yellow, light green, orange, blue, black, and light pink, with red drawers at the bottom. A small black kettle sits on one of its shelves.

A large informational panel in the background provides context for the era and theme in both Italian and English. The text describes the 1970s and 80s as a revolutionary period where design and fashion transformed into artistic expressions, tools for freedom, and political statements, rejecting bourgeois rigidity in favor of individuality and equality. A "DON'T STEP / NON CALPESTARE" warning is visible on the floor. A visitor, partially visible on the bottom left, adds to the sense of an active exhibition space.
SK

Apr 23, 2026, 4:27 PM

Unknown, Unknown

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This image captures an exhibition display focused on design from the 1970s and 1980s, titled "CONTROCULTURA E INTROSPEZIONE" (Counterculture and Introspection). The scene is set in a dimly lit indoor space, likely a museum or gallery, with spotlights illuminating the exhibits. On the left, a large poster features a woman with long, dark hair, dressed in a cream-colored outfit with cut-out sleeves, sitting poised in a striking red, organic-shaped armchair, possibly the "Up 5" by Gaetano Pesce. Below this, two smaller, round red seats or poufs are arranged on the floor. The center of the display showcases a tall, textured, bright lime-green cactus-shaped object, known as the "Cactus coat stand" by Gufram. Beside it, a clear glass display box holds a shiny, reflective silver object. On the floor in front, a luminous, coiled white tube light emits a soft glow. Further right, two whimsical lamps with white, shaggy, furry shades and minimalist metal bases are displayed. To the far right, a colorful, multi-level modular shelving unit, characteristic of the Memphis Group style, is prominent. It features an eclectic mix of geometric shapes and bold colors including yellow, light green, orange, blue, black, and light pink, with red drawers at the bottom. A small black kettle sits on one of its shelves. A large informational panel in the background provides context for the era and theme in both Italian and English. The text describes the 1970s and 80s as a revolutionary period where design and fashion transformed into artistic expressions, tools for freedom, and political statements, rejecting bourgeois rigidity in favor of individuality and equality. A "DON'T STEP / NON CALPESTARE" warning is visible on the floor. A visitor, partially visible on the bottom left, adds to the sense of an active exhibition space.

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Apr 23, 2026, 4:27 PM

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