This image depicts an interior view of an office or clinical room, located in Fez, Morocco. The perspective is from a low angle, with dark fabric, likely clothing, obscuring the bottom portion of the foreground. The central feature is a dark brown wooden office desk with two horizontal light-colored stripes on its front face. Positioned on the desk is a black Fujitsu computer monitor, connected via white and black cables. A white coiled cable rests on the desk surface. Below the monitor, a black electronic device, possibly a laptop, is visible. To the right of the monitor, various writing instruments and office supplies are contained in cups and holders, alongside a small stack of papers and a compact printer or scanner. Underneath the desk, power adapters and black electrical cables are visible on the floor, next to a black wire wastebasket. To the left of the desk, an off-white wall displays a dark-framed piece of artwork featuring gold-colored Arabic calligraphy. Above this, a white electrical outlet is mounted. Further right on the wall, a partially torn white calendar or document with small images is secured with tape. To the right of the desk, a metallic-framed door or partition with translucent, corrugated plastic or glass panels is present. Behind these panels, a blurred red object, consistent with a fire extinguisher, is discernible against a light brown background. Above the door frame, a white electrical conduit and wiring run along the wall. Adjacent to the partition on the right, a light gray counter or cabinet unit is stacked with numerous white rectangular boxes, some labeled with text such as "VOLUX," "IVOCLAR," and "SPORT." Above these boxes, a poster featuring anatomical diagrams of human teeth and gums is displayed, with visible French text including the brand name "Meridol." A blue drawer is partially open beneath this counter. The floor of the room is covered with light-colored square tiles exhibiting a subtle gray marbling pattern. No people are fully visible within the scene; the view suggests the presence of the photographer. in Fez, Morocco

Saad_kh

Feb 4, 2026, 9:24 AM

Fez, Morocco

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Indoor

This image depicts an interior view of an office or clinical room, located in Fez, Morocco. The perspective is from a low angle, with dark fabric, likely clothing, obscuring the bottom portion of the foreground. The central feature is a dark brown wooden office desk with two horizontal light-colored stripes on its front face. Positioned on the desk is a black Fujitsu computer monitor, connected via white and black cables. A white coiled cable rests on the desk surface. Below the monitor, a black electronic device, possibly a laptop, is visible. To the right of the monitor, various writing instruments and office supplies are contained in cups and holders, alongside a small stack of papers and a compact printer or scanner. Underneath the desk, power adapters and black electrical cables are visible on the floor, next to a black wire wastebasket. To the left of the desk, an off-white wall displays a dark-framed piece of artwork featuring gold-colored Arabic calligraphy. Above this, a white electrical outlet is mounted. Further right on the wall, a partially torn white calendar or document with small images is secured with tape. To the right of the desk, a metallic-framed door or partition with translucent, corrugated plastic or glass panels is present. Behind these panels, a blurred red object, consistent with a fire extinguisher, is discernible against a light brown background. Above the door frame, a white electrical conduit and wiring run along the wall. Adjacent to the partition on the right, a light gray counter or cabinet unit is stacked with numerous white rectangular boxes, some labeled with text such as "VOLUX," "IVOCLAR," and "SPORT." Above these boxes, a poster featuring anatomical diagrams of human teeth and gums is displayed, with visible French text including the brand name "Meridol." A blue drawer is partially open beneath this counter. The floor of the room is covered with light-colored square tiles exhibiting a subtle gray marbling pattern. No people are fully visible within the scene; the view suggests the presence of the photographer.

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