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An old, typewritten letter on light-colored paper is displayed, likely under glass, suggesting an exhibition or archival setting. The paper has holes punched on the left side, typical of being held in a binder. Reflections from overhead lights are visible on the protective surface.

The letter is from "Federico C. Müller" at "GALERIA MÜLLER" in "Florida 90, Buenos Aires," dated "31. Agosto 1932." It is addressed to "Señor Hilarion Hernandez Larguia" in "San Luis 448, ROSARIO." The letterhead also indicates "CUADROS DE GRANDES MAESTROS ANTIGUOS Y MODERNOS" and "EXPOSICIONES DE PINTURA DE PRIMER ORDEN."

In the letter, Müller expresses pleasure at Larguia's intention to extend a tribute to the artist Fader to Rosario, Argentina. He offers assistance but notes the difficulty of persuading painting owners to lend their works again, as many were already reluctant for the current Buenos Aires exhibition. Müller suggests that Fader's own paintings could be moved to Rosario after the Buenos Aires show, as he plans to send them to Fader's wife for eventual sale. The Buenos Aires exhibition, initially closing on September 9, was extended to September 11. Müller advises Larguia to visit Buenos Aires to select desired paintings and negotiate with owners. He requests concrete details regarding the duration, insurance, and security for the proposed exhibition in Rosario. Müller concludes by thanking Larguia for promptly sending paintings from the Rosario Museum for the Buenos Aires exhibition and offering his full support in return.

To the right of the letter, a partially visible white and black label or text reads "TALLERES DOMPDONIO MITRE 984."
F
FM-pWi952

Jan 11, 2025

Rosario, Argentina

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An old, typewritten letter on light-colored paper is displayed, likely under glass, suggesting an exhibition or archival setting. The paper has holes punched on the left side, typical of being held in a binder. Reflections from overhead lights are visible on the protective surface. The letter is from "Federico C. Müller" at "GALERIA MÜLLER" in "Florida 90, Buenos Aires," dated "31. Agosto 1932." It is addressed to "Señor Hilarion Hernandez Larguia" in "San Luis 448, ROSARIO." The letterhead also indicates "CUADROS DE GRANDES MAESTROS ANTIGUOS Y MODERNOS" and "EXPOSICIONES DE PINTURA DE PRIMER ORDEN." In the letter, Müller expresses pleasure at Larguia's intention to extend a tribute to the artist Fader to Rosario, Argentina. He offers assistance but notes the difficulty of persuading painting owners to lend their works again, as many were already reluctant for the current Buenos Aires exhibition. Müller suggests that Fader's own paintings could be moved to Rosario after the Buenos Aires show, as he plans to send them to Fader's wife for eventual sale. The Buenos Aires exhibition, initially closing on September 9, was extended to September 11. Müller advises Larguia to visit Buenos Aires to select desired paintings and negotiate with owners. He requests concrete details regarding the duration, insurance, and security for the proposed exhibition in Rosario. Müller concludes by thanking Larguia for promptly sending paintings from the Rosario Museum for the Buenos Aires exhibition and offering his full support in return. To the right of the letter, a partially visible white and black label or text reads "TALLERES DOMPDONIO MITRE 984."

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FFM-pWi952

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