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A framed black and white photograph by Martine Franck, titled "Facing Ayatollah Khomeini's residency," is displayed on a plain off-white wall in what appears to be a gallery setting. The photograph itself depicts a group of approximately eight to ten individuals, predominantly adults with some children, gathered closely together. A central female figure in the mid-ground smiles broadly, looking towards the left of the frame. To her immediate left, a child's head is visible, facing the central smiling woman. Another child is seen atop an adult's shoulders in the background. Other figures in the group also exhibit smiles and engaged expressions, with some wearing head coverings. The background of the photograph shows architectural elements, including a building facade partially obscured, with a numerical "100" visible. The artwork is presented in a black frame with a white mat. Reflections on the glass of the frame partially obscure the upper portion of the photograph, revealing the silhouette of a person (likely the photographer) and ceiling lights. A white label affixed to the wall to the lower right of the frame identifies the artist and artwork, specifying the location depicted as Auvers-sur-Oise, France, a commune in the greater Paris region, and describes the print as a vintage silver gelatin print. Shadows from the frame are cast onto the wall below.
FM-aXd4u1

Feb 27, 2026, 5:22 PM

Paris, France

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A framed black and white photograph by Martine Franck, titled "Facing Ayatollah Khomeini's residency," is displayed on a plain off-white wall in what appears to be a gallery setting. The photograph itself depicts a group of approximately eight to ten individuals, predominantly adults with some children, gathered closely together. A central female figure in the mid-ground smiles broadly, looking towards the left of the frame. To her immediate left, a child's head is visible, facing the central smiling woman. Another child is seen atop an adult's shoulders in the background. Other figures in the group also exhibit smiles and engaged expressions, with some wearing head coverings. The background of the photograph shows architectural elements, including a building facade partially obscured, with a numerical "100" visible. The artwork is presented in a black frame with a white mat. Reflections on the glass of the frame partially obscure the upper portion of the photograph, revealing the silhouette of a person (likely the photographer) and ceiling lights. A white label affixed to the wall to the lower right of the frame identifies the artist and artwork, specifying the location depicted as Auvers-sur-Oise, France, a commune in the greater Paris region, and describes the print as a vintage silver gelatin print. Shadows from the frame are cast onto the wall below.

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FM-aXd4u1

Feb 27, 2026, 5:22 PM

Paris, France

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