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This image depicts the interior of the Hall of Universal Peace (Tōngrèng Diàn) within the Yonghe Temple (Lama Temple) in Beijing, China. A large, cylindrical fabric banner or canopy dominates the center of the frame, suspended from the ceiling. This banner is constructed from numerous horizontal rows of rectangular fabric panels in a repeating sequence of colors including pink, green, blue, orange, and gold, each bearing a white stylized emblem. The entire lower circumference of the banner is densely adorned with bright green, red, orange, and yellow tassels. The interior of the banner's circular opening is lined with red fabric.

The ceiling above is intricately decorated with traditional Chinese patterns, featuring square panels containing circular motifs in shades of green, blue, and gold. Thick, dark wooden support pillars are visible, painted with additional ornate designs. A prominent rectangular pillar on the right displays vertical Chinese calligraphy partially reading "國通自在住不二" (Guó tōng zìzài zhù bù èr). Another pillar on the left also shows partial vertical calligraphy, "慧少...". To the far right, behind the inscribed pillar, a portion of an ornate golden Buddhist sculpture, featuring swirling patterns and resting on a dark base, is visible. The scene is static, with no people present.
marcela

Oct 22, 2025

Beijing, China

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This image depicts the interior of the Hall of Universal Peace (Tōngrèng Diàn) within the Yonghe Temple (Lama Temple) in Beijing, China. A large, cylindrical fabric banner or canopy dominates the center of the frame, suspended from the ceiling. This banner is constructed from numerous horizontal rows of rectangular fabric panels in a repeating sequence of colors including pink, green, blue, orange, and gold, each bearing a white stylized emblem. The entire lower circumference of the banner is densely adorned with bright green, red, orange, and yellow tassels. The interior of the banner's circular opening is lined with red fabric. The ceiling above is intricately decorated with traditional Chinese patterns, featuring square panels containing circular motifs in shades of green, blue, and gold. Thick, dark wooden support pillars are visible, painted with additional ornate designs. A prominent rectangular pillar on the right displays vertical Chinese calligraphy partially reading "國通自在住不二" (Guó tōng zìzài zhù bù èr). Another pillar on the left also shows partial vertical calligraphy, "慧少...". To the far right, behind the inscribed pillar, a portion of an ornate golden Buddhist sculpture, featuring swirling patterns and resting on a dark base, is visible. The scene is static, with no people present.

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marcela

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