The image depicts a contemporary sculpture, approximately 2 meters in height, displayed within the Musée National des arts asiatiques - Guimet, Paris, France. The sculpture, identified as a "Translated Vase" by artist Yeesookyung, is composed of numerous off-white ceramic fragments reassembled into a vertically stacked, bulbous form. Gold-colored material fills all visible fracture lines, consistent with the Kintsugi repair technique. The artwork rests on a white rectangular plinth. The exhibition space features a dark background wall, a light-toned chevron-patterned wooden floor, and a partial view of ornate white classical architectural molding on the right side. The scene is illuminated by directed spotlights. A black stanchion barrier with a black rope delineates the exhibit area. No individuals are present. in Paris, France

$The image depicts a contemporary sculpture, approximately 2 meters in height, displayed within the Musée National des arts asiatiques - Guimet, Paris, France. The sculpture, identified as a "Translated Vase" by artist Yeesookyung, is composed of numerous off-white ceramic fragments reassembled into a vertically stacked, bulbous form. Gold-colored material fills all visible fracture lines, consistent with the Kintsugi repair technique. The artwork rests on a white rectangular plinth. The exhibition space features a dark background wall, a light-toned chevron-patterned wooden floor, and a partial view of ornate white classical architectural molding on the right side. The scene is illuminated by directed spotlights. A black stanchion barrier with a black rope delineates the exhibit area. No individuals are present.$

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Mar 19, 2026, 9:18 AM

Paris, France

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The image depicts a contemporary sculpture, approximately 2 meters in height, displayed within the Musée National des arts asiatiques - Guimet, Paris, France. The sculpture, identified as a "Translated Vase" by artist Yeesookyung, is composed of numerous off-white ceramic fragments reassembled into a vertically stacked, bulbous form. Gold-colored material fills all visible fracture lines, consistent with the Kintsugi repair technique. The artwork rests on a white rectangular plinth. The exhibition space features a dark background wall, a light-toned chevron-patterned wooden floor, and a partial view of ornate white classical architectural molding on the right side. The scene is illuminated by directed spotlights. A black stanchion barrier with a black rope delineates the exhibit area. No individuals are present.

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