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The image displays a vertical, rectangular informational plaque set within an indoor architectural environment, likely a museum or heritage building in Mumbai, India. The plaque features text in both English and Marathi, titled "THE WADA - WOODEN FACADE" and "लाकडी मंडप" respectively.

The text describes the history of a wooden facade, originally from Hingne Wada in Nashik, which was incorporated into the current building by architect George Wittet. It notes that in the early 20th century, the dilapidated facade was suggested for the new museum in Bombay (Mumbai) by Rao Bahadur K.R Godbole, a retired Executive Engineer. Through the efforts of the Museum Committee and Mr. A. H Longhurst, Superintendent of ASI, Western Circle, this beautiful 18th-19th century Indo-Saracenic style facade became part of the museum.

In the background, dark, ornate wooden balusters or pillars are visible, suggesting a traditional or historical architectural setting. The scene is indoors, with no specific time of day or weather discernible. No people are present in the image.
FM-OhtiC3

Dec 10, 2024

Mumbai, India

Stake attention in this memory

The image displays a vertical, rectangular informational plaque set within an indoor architectural environment, likely a museum or heritage building in Mumbai, India. The plaque features text in both English and Marathi, titled "THE WADA - WOODEN FACADE" and "लाकडी मंडप" respectively. The text describes the history of a wooden facade, originally from Hingne Wada in Nashik, which was incorporated into the current building by architect George Wittet. It notes that in the early 20th century, the dilapidated facade was suggested for the new museum in Bombay (Mumbai) by Rao Bahadur K.R Godbole, a retired Executive Engineer. Through the efforts of the Museum Committee and Mr. A. H Longhurst, Superintendent of ASI, Western Circle, this beautiful 18th-19th century Indo-Saracenic style facade became part of the museum. In the background, dark, ornate wooden balusters or pillars are visible, suggesting a traditional or historical architectural setting. The scene is indoors, with no specific time of day or weather discernible. No people are present in the image.

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FM-OhtiC3

Dec 10, 2024

Mumbai, India

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