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Two large, vertically oriented oil paintings, individually set within ornate gilded frames, are displayed side-by-side on a plain, light-colored wall within the Galleria dell'Accademia in Florence, Italy.

The left painting portrays a full-body nude male figure, identified as Adam, standing with a wreath of green leaves on his head. He holds a red apple in his left hand, while a large green leaf partially covers his groin. A deer's head and antlers are visible behind his lower right leg, emerging from a dark, forested background.

The right painting depicts a full-body nude female figure, identified as Eve, with long, wavy hair. She holds a red apple in her right hand, and a large green leaf conceals her groin. A serpent is coiled around a branch above her, extending towards the apple. A small feline, resembling a lion cub, is visible resting at her feet, and a bird is perched near her left leg, all set against a dark, wooded backdrop.

Both figures gaze generally forward. A small, dark information plaque is positioned on the wall beneath the right painting.
Tatti

Feb 27, 2026

Florence, Italy

Stake attention in this memory

Vulnerability
Temptation
Innocence
Awe
Contemplation

Two large, vertically oriented oil paintings, individually set within ornate gilded frames, are displayed side-by-side on a plain, light-colored wall within the Galleria dell'Accademia in Florence, Italy. The left painting portrays a full-body nude male figure, identified as Adam, standing with a wreath of green leaves on his head. He holds a red apple in his left hand, while a large green leaf partially covers his groin. A deer's head and antlers are visible behind his lower right leg, emerging from a dark, forested background. The right painting depicts a full-body nude female figure, identified as Eve, with long, wavy hair. She holds a red apple in her right hand, and a large green leaf conceals her groin. A serpent is coiled around a branch above her, extending towards the apple. A small feline, resembling a lion cub, is visible resting at her feet, and a bird is perched near her left leg, all set against a dark, wooded backdrop. Both figures gaze generally forward. A small, dark information plaque is positioned on the wall beneath the right painting.

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Tatti

Feb 27, 2026

Florence, Italy

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