This image captures the interior courtyard of a building in Ronda, Spain

This image captures the interior courtyard of a building in Ronda, Spain. The scene is devoid of human presence. A high-angle, wide-shot perspective frames a multi-story, open-top space with a pleated, translucent fabric canopy stretched overhead, providing diffused light. The canopy shows some signs of staining and wear, with white strip lighting visible along its edges. The walls feature a white upper section and a lower wainscoting comprised of intricate blue, white, and brown patterned ceramic tiles (azulejos). Two wooden-framed windows, each with a small dark metal balcony railing and flower boxes containing red and green plants, are visible on the upper level of the left and right walls. A large, framed religious painting depicting the Virgin Mary and child in the sky above a landscape with multiple robed figures is centrally affixed to the back wall. Below and to the left of this painting, two ornamental lamps with multiple light sources hang from a decorative bracket. Flanking the central religious painting are several smaller, dark-framed portraits: a man in a dark suit to the right, and an older woman and another individual in dark attire on the left wall. A smaller religious painting, possibly depicting the Madonna and child, is visible on the far right wall. The floor is composed of a mosaic of square marble or stone tiles in shades of white, grey, and light brown, exhibiting natural veining and some surface cracks. In the foreground, slightly off-center, stands a large, ornate ceramic vase painted with intricate designs, including what appear to be animal figures. This vase rests on a dark, decorative metal tripod stand and contains a vibrant green, multi-fronded potted plant. Dark carved wooden benches are positioned against the tiled walls on the left and right sides, beneath the smaller portraits. Additional small potted plants are visible at the base of the walls.