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This is a vertically oriented, rectangular oil painting, framed in elaborate gilded gold, depicting a historical genealogy or chronicle of rulers. The painting is mounted on a plain, light pinkish-orange wall, likely in a museum or gallery setting in Pueblo Libre, Peru. Information panels with text in multiple languages are visible on the wall above the painting.

The artwork features a dark, possibly black, background adorned with gold accents. It is organized into multiple columns of individual portraits, arranged in a grid-like fashion. The left side of the painting presents a lineage of indigenous rulers, primarily the Inca "Yngas," shown in circular or oval busts with distinct attire and headwear. Each portrait is accompanied by a small label providing their name and sequential number, such as "MANED CAPAC YNGA 1," "SINCHIRROCA YNGA 2," "LOQUI YUPANGUI YNGA 3," "MAYTA CAPAC YNGA 4," "CAPAC YUPANGUI YNGA 5," "YNCA RROCA YNGA 6," "YAHUAR HUACAC YNGA 7," "TOPA YUPAN GUI YNGA 10," "HUAYNA CAPAC YNGA 12," "TOPA CUSILLASCAR YNGA 13," and "ATAHUALPA YNGA 14."

The right side of the painting showcases portraits of European monarchs, specifically Spanish kings, also depicted in busts within similar frames. Their labels include names like "CARLOS QUINTO," "FELIPE SEGUNDO," "FELIPE TERCERO," "FELIPE QUARTO," "CARLOS SEGUNDO," "FELIPE QUINTO," "LUIS PRIMERO," "FERNANDO SEXTO," "CARLOS TERCERO," and "CARLOS QUARTO." These labels often include titles such as "Emperador" and references to "del Peru" with associated numbers (e.g., "20. del Peru," "24. del Perú," "25. del Peru").

A prominent central text block, set against an ornate background, likely describes the painting's purpose. Partially legible phrases include "HETAATOS DELOS YNGAS REYES DEL PERU SUBES TIMENTOS EN YSERIE QUE DI TRAMO DELASTINIEBLAS AS ADMIRABLE LADO YDE LOS CATHOLICOS AU GUSTOS REYES DECASTILLA NROISS QUE DIOS GUARDE," suggesting it chronicles both the Inca kings of Peru and the Catholic kings of Castile. The overall activity depicted is the historical sequencing of these rulers, creating a visual record of succession.
Lolita

Jun 4, 2026

Pueblo Libre, Peru

Stake attention in this memory

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This is a vertically oriented, rectangular oil painting, framed in elaborate gilded gold, depicting a historical genealogy or chronicle of rulers. The painting is mounted on a plain, light pinkish-orange wall, likely in a museum or gallery setting in Pueblo Libre, Peru. Information panels with text in multiple languages are visible on the wall above the painting. The artwork features a dark, possibly black, background adorned with gold accents. It is organized into multiple columns of individual portraits, arranged in a grid-like fashion. The left side of the painting presents a lineage of indigenous rulers, primarily the Inca "Yngas," shown in circular or oval busts with distinct attire and headwear. Each portrait is accompanied by a small label providing their name and sequential number, such as "MANED CAPAC YNGA 1," "SINCHIRROCA YNGA 2," "LOQUI YUPANGUI YNGA 3," "MAYTA CAPAC YNGA 4," "CAPAC YUPANGUI YNGA 5," "YNCA RROCA YNGA 6," "YAHUAR HUACAC YNGA 7," "TOPA YUPAN GUI YNGA 10," "HUAYNA CAPAC YNGA 12," "TOPA CUSILLASCAR YNGA 13," and "ATAHUALPA YNGA 14." The right side of the painting showcases portraits of European monarchs, specifically Spanish kings, also depicted in busts within similar frames. Their labels include names like "CARLOS QUINTO," "FELIPE SEGUNDO," "FELIPE TERCERO," "FELIPE QUARTO," "CARLOS SEGUNDO," "FELIPE QUINTO," "LUIS PRIMERO," "FERNANDO SEXTO," "CARLOS TERCERO," and "CARLOS QUARTO." These labels often include titles such as "Emperador" and references to "del Peru" with associated numbers (e.g., "20. del Peru," "24. del Perú," "25. del Peru"). A prominent central text block, set against an ornate background, likely describes the painting's purpose. Partially legible phrases include "HETAATOS DELOS YNGAS REYES DEL PERU SUBES TIMENTOS EN YSERIE QUE DI TRAMO DELASTINIEBLAS AS ADMIRABLE LADO YDE LOS CATHOLICOS AU GUSTOS REYES DECASTILLA NROISS QUE DIOS GUARDE," suggesting it chronicles both the Inca kings of Peru and the Catholic kings of Castile. The overall activity depicted is the historical sequencing of these rulers, creating a visual record of succession.

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Lolita

Jun 4, 2026

Pueblo Libre, Peru

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