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A male individual is seated on a bright yellow velvet two-seater sofa, positioned against a white wall in an indoor setting in Tashkent, Uzbekistan. He is observed from a slightly elevated, oblique angle, looking down. The man has short dark hair and a beard, and his eyes are closed with a subtle smile on his face. He is wearing a dark navy blue long-sleeved polo shirt, dark trousers, and dark footwear with patterned socks. His left arm rests along the top of the sofa's backrest, while his right hand holds a black smartphone, suggesting engagement with its content. The sofa features visible golden-colored legs on the right side. On the white wall behind him, two large circular art pieces are mounted; both depict a dark blue background with illuminated lines and dots resembling a network or constellation. The floor is covered with grey tiles.
Ilhomjon Ibrohimov

Jan 16, 2026

Tashkent, Uzbekistan

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A male individual is seated on a bright yellow velvet two-seater sofa, positioned against a white wall in an indoor setting in Tashkent, Uzbekistan. He is observed from a slightly elevated, oblique angle, looking down. The man has short dark hair and a beard, and his eyes are closed with a subtle smile on his face. He is wearing a dark navy blue long-sleeved polo shirt, dark trousers, and dark footwear with patterned socks. His left arm rests along the top of the sofa's backrest, while his right hand holds a black smartphone, suggesting engagement with its content. The sofa features visible golden-colored legs on the right side. On the white wall behind him, two large circular art pieces are mounted; both depict a dark blue background with illuminated lines and dots resembling a network or constellation. The floor is covered with grey tiles.

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Ilhomjon Ibrohimov

Jan 16, 2026

Tashkent, Uzbekistan

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