This image depicts the main prayer hall of the Ghana National Mosque, located in Kanda, Accra, Ghana

This image depicts the main prayer hall of the Ghana National Mosque, located in Kanda, Accra, Ghana. The scene shows the interior of a large, well-lit mosque characterized by Ottoman-Turkish architectural influences. The floor is covered with a meticulously patterned blue and beige carpet, featuring intricate geometric and floral designs. Overhead, a large, multi-tiered brass chandelier with numerous illuminated bulbs hangs prominently, providing ambient light. Smaller chandeliers are also suspended from the ceiling in various sections. The ceiling is white, adorned with circular medallions and supported by decorative columns and arches. These arches exhibit a distinctive red and white striped stone pattern. The walls are predominantly light brown, featuring decorative elements including circular panels with black Arabic calligraphy on a gold background. Multiple rectangular windows with wooden frames line the lower section of the wall, allowing natural light into the space. Above these, a mezzanine level with an ornate white railing extends across the upper part of the hall, with several colorful stained-glass windows visible beyond it. Shoe racks are visible below the windows. An air conditioning unit is positioned against the wall on the left. Approximately fifteen adult males are present in the prayer hall, seated or resting on the carpet. They are dressed in a mix of traditional and casual attire, including long robes and regular clothing. Several individuals wear head coverings. One man on the left is seated, facing right, with his back partially to the viewer, wearing a dark shirt and pants. Another man in the foreground, wearing a light grey robe and a kufi cap, is seated, holding a string of prayer beads (tasbih). Further back, other men are scattered across the carpet, seated in various relaxed postures. One man in a blue garment stands near the right side, closer to a window. No overt interactions or specific activities like prayer are clearly depicted; the individuals appear to be in a state of quiet repose or waiting.