The scene depicts the interior of a hall or assembly room in the city of Alor, Nigeria

The scene depicts the interior of a hall or assembly room in the city of Alor, Nigeria. Approximately fifteen to twenty individuals, predominantly adults, are seated in rows facing a stage or altar area at the far end of the room. The walls are painted a light orange/peach on the left and white at the back. Two rectangular windows with grates are visible on the left wall, admitting natural light. The ceiling is covered with tan-colored, textured false ceiling tiles, from which several unshaded white spherical light bulbs hang, casting reflections on the ceiling. At the front of the room, a raised platform is adorned with drapes in green, white, and purple, arranged in an arched pattern. A dark, simple stand or podium with a floral arrangement sits on the platform. Above this area, a flat-screen television is mounted on the wall, displaying content that appears to be text or graphics. To the right of the podium, a white, open-framed stand on wheels is visible. The seated individuals are mostly women, identifiable by their head coverings and varying patterned traditional attire. Their backs are primarily facing the viewer. In the immediate foreground, a young boy, estimated to be between five and ten years old, is seated in a green plastic chair. He wears a white collared shirt and dark trousers, and is barefoot, with his right foot resting on his left thigh as he looks downwards. A beige and dark blue canvas bag rests on the floor at his feet. The chairs are a mix of green, brown, and dark purple plastic. Several green chairs feature the word "ALOR" embossed on their backs. All visible individuals are in a seated, attentive posture, facing forward towards the stage area. No direct interactions between individuals are discernible.