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In Mararaba, Nigeria, a boy wearing a yellow and white striped shirt and brown pants reaches toward a motorcycle parked near bags of cement stacked on a blue Fayrouz-branded crate. A woman in a pink patterned dress holds a black device nearby. Behind them is a building with a red corrugated roof and arched windows, with makeshift wooden structures in front of it. The scene takes place on a sandy, unpaved surface.
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