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The image displays a light-colored, possibly green-tinted panel or sign, positioned vertically. The primary content is a quote presented in both Dutch and English, printed in a dark, pixelated font. The background appears to be a plain, light grey-green wall, suggesting an indoor setting such as a museum or informational exhibit in Schiedam, Netherlands.

The Dutch text reads:
"Als kind hield ik al van onconventionele dingen. Otto van Rees en Adya van Rees-Dutilh woonden hier, Ik zag hen dan in de tuin op blote voeten schilderen.'
Lou Laber, 1982"

The English translation below it states:
"'As a child I already loved unconventional things. Otto van Rees and Adya van Rees-Dutilh lived here. I would see them painting in the garden in their bare feet.'
In: Lou Laber, 1982"

The image captures a static informational display, providing a historical quote from Lou Laber about artists Otto van Rees and Adya van Rees-Dutilh. No people are visible, and the scene is neutral in terms of time of day or specific weather. The focus is entirely on the textual content and its presentation on the panel.
F
FM-MobaQ2

Jan 26, 2025

Schiedam, Netherlands

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The image displays a light-colored, possibly green-tinted panel or sign, positioned vertically. The primary content is a quote presented in both Dutch and English, printed in a dark, pixelated font. The background appears to be a plain, light grey-green wall, suggesting an indoor setting such as a museum or informational exhibit in Schiedam, Netherlands. The Dutch text reads: "Als kind hield ik al van onconventionele dingen. Otto van Rees en Adya van Rees-Dutilh woonden hier, Ik zag hen dan in de tuin op blote voeten schilderen.' Lou Laber, 1982" The English translation below it states: "'As a child I already loved unconventional things. Otto van Rees and Adya van Rees-Dutilh lived here. I would see them painting in the garden in their bare feet.' In: Lou Laber, 1982" The image captures a static informational display, providing a historical quote from Lou Laber about artists Otto van Rees and Adya van Rees-Dutilh. No people are visible, and the scene is neutral in terms of time of day or specific weather. The focus is entirely on the textual content and its presentation on the panel.

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FFM-MobaQ2

Jan 26, 2025

Schiedam, Netherlands

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