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A framed artwork by Mastura Abdul Rahman, titled "House of Flower, House of Harmony," is displayed on a plain white wall in what appears to be an indoor setting in Los Robles, Venezuela. The artwork itself is a vibrant and intricate mixed-media piece, dominated by shades of blue, purple, pink, and black. It features a complex patchwork design with geometric patterns, floral motifs, and stylized human figures.

Notable elements within the artwork include a figure seated in a meditative or prayer-like posture within one of the geometric segments, and another figure holding what resembles an umbrella or parasol. A large, circular, mandala-like design is prominent at the bottom center of the composition, further emphasizing intricate patterns. The overall impression is one of detailed craftsmanship and a blend of traditional and abstract artistic elements, possibly evoking themes of domesticity, nature, and cultural textile designs.

The artwork is housed in a simple, rectangular wooden frame with a cream-colored matting. The visible text on the matting below the image confirms the artist's name as "Mastura Abdul Rahman" at the top, and the title "House of Flower, House of Harmony," the medium "Mixed Media," and the dimensions "183 cm x 275.5 cm" at the bottom. A fragment of text, "INVIANVAN," is also partially visible within the artwork itself. There are no discernible people or activities other than the presentation of the artwork. The wall is unadorned, suggesting a neutral display environment.
v.l

Apr 22, 2026

Los Robles, Venezuela

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A framed artwork by Mastura Abdul Rahman, titled "House of Flower, House of Harmony," is displayed on a plain white wall in what appears to be an indoor setting in Los Robles, Venezuela. The artwork itself is a vibrant and intricate mixed-media piece, dominated by shades of blue, purple, pink, and black. It features a complex patchwork design with geometric patterns, floral motifs, and stylized human figures. Notable elements within the artwork include a figure seated in a meditative or prayer-like posture within one of the geometric segments, and another figure holding what resembles an umbrella or parasol. A large, circular, mandala-like design is prominent at the bottom center of the composition, further emphasizing intricate patterns. The overall impression is one of detailed craftsmanship and a blend of traditional and abstract artistic elements, possibly evoking themes of domesticity, nature, and cultural textile designs. The artwork is housed in a simple, rectangular wooden frame with a cream-colored matting. The visible text on the matting below the image confirms the artist's name as "Mastura Abdul Rahman" at the top, and the title "House of Flower, House of Harmony," the medium "Mixed Media," and the dimensions "183 cm x 275.5 cm" at the bottom. A fragment of text, "INVIANVAN," is also partially visible within the artwork itself. There are no discernible people or activities other than the presentation of the artwork. The wall is unadorned, suggesting a neutral display environment.

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v.l

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