This media file displays a sophisticated professional cinema camera rig, likely set up for a film or television production, located in San Sebastián de los Reyes, Spain. The camera is equipped with numerous accessories and is presented against a backdrop of vertical window blinds or panels, with a plain, light-colored wall section to the left. The central subject is a large ARRI cinema camera body, fitted with a Leica Summilux-C 35mm lens. Mounted in front of the lens is an ARRI LMB 4x5 Extra Non-Rotatable Filter Stage matte box. An ARRI MVF-1 viewfinder is visible on the left side of the camera body. On the right, the camera is connected to an OConnor Ultimate 2575D fluid head, which is part of a tripod or support system. Several electronic components and accessories are integrated into the rig. A TERADEK wireless video transmitter is mounted towards the rear, along with various cables and power distribution units, some marked "ARRI." A microphone, identified by the partial text "d:facto" (OCR: "dic"), is attached to the left side. An "Odisseo" system (OCR: "adisorp") is also mounted on the camera body. The rig features multiple handles and adjustment knobs, highlighting its modular and customizable nature. Visible text on the equipment includes "ARRI," "Leica Summilux-C," "35 mm," "ARRI LMB 4x5 Extra Non-Rotatable Filter Stage," "MVF-1," "TERADEK," "OConnor," "ULTIMATE 2575D," "Odisseo," and "d:facto." Other numerical and alphanumeric codes like "K2.001358" and "K2.0014006" are also present. The setup is clean and meticulously wired, suggesting a readiness for immediate use. The lighting appears to be ambient indoor light, complemented by light coming from the windowed background. in San Sebastián de los Reyes, Spain

FM-sJ7Mg1

Apr 29, 2026

San Sebastián de los Reyes, Spain

Moment

Stake attention in this memory

professional

technical

equipment

filmmaking

advanced

This media file displays a sophisticated professional cinema camera rig, likely set up for a film or television production, located in San Sebastián de los Reyes, Spain. The camera is equipped with numerous accessories and is presented against a backdrop of vertical window blinds or panels, with a plain, light-colored wall section to the left. The central subject is a large ARRI cinema camera body, fitted with a Leica Summilux-C 35mm lens. Mounted in front of the lens is an ARRI LMB 4x5 Extra Non-Rotatable Filter Stage matte box. An ARRI MVF-1 viewfinder is visible on the left side of the camera body. On the right, the camera is connected to an OConnor Ultimate 2575D fluid head, which is part of a tripod or support system. Several electronic components and accessories are integrated into the rig. A TERADEK wireless video transmitter is mounted towards the rear, along with various cables and power distribution units, some marked "ARRI." A microphone, identified by the partial text "d:facto" (OCR: "dic"), is attached to the left side. An "Odisseo" system (OCR: "adisorp") is also mounted on the camera body. The rig features multiple handles and adjustment knobs, highlighting its modular and customizable nature. Visible text on the equipment includes "ARRI," "Leica Summilux-C," "35 mm," "ARRI LMB 4x5 Extra Non-Rotatable Filter Stage," "MVF-1," "TERADEK," "OConnor," "ULTIMATE 2575D," "Odisseo," and "d:facto." Other numerical and alphanumeric codes like "K2.001358" and "K2.0014006" are also present. The setup is clean and meticulously wired, suggesting a readiness for immediate use. The lighting appears to be ambient indoor light, complemented by light coming from the windowed background.

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