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This image shows a close-up view of a large, ornate mosaic artwork on an exterior wall. The mosaic is composed of numerous small, square tiles in shades of blue, green, and white, with some metallic accents. The overall design appears to be abstract, but within the mosaic, there are discernible elements. A prominent feature is a stylized depiction of a horse's head, partially obscured by swirling patterns. The mosaic also incorporates various other motifs, including what appear to be leaves, spheres, and clusters of small figures or objects. The tiles are arranged in a textured, three-dimensional manner, with some protruding further than others, creating a dynamic surface.

The mosaic is set against a background of large, rectangular stone tiles in muted beige and pinkish hues, with visible veining. The contrast between the intricate, multi-colored mosaic and the simpler stone facade is striking. Below the stone wall, a dark, textured band, possibly granite or a similar material, forms the base.

The image appears to have been taken during daylight, with soft lighting that highlights the textures and colors of the mosaic. There are no people or obvious signs of activity in the frame, suggesting the artwork is a permanent installation. The style of the mosaic, with its geometric and somewhat surreal elements, hints at a modernist or Soviet-era artistic influence, common in public spaces in Central Asia. Given the location context of Tashkent, Uzbekistan, this artwork is likely a public sculpture or facade decoration. No text is visible in the image.
Askar Dragon

Jun 26, 2026

Tashkent, Uzbekistan

Stake attention in this memory

ethereal
fragmented
contemplative
mysterious
intricate

This image shows a close-up view of a large, ornate mosaic artwork on an exterior wall. The mosaic is composed of numerous small, square tiles in shades of blue, green, and white, with some metallic accents. The overall design appears to be abstract, but within the mosaic, there are discernible elements. A prominent feature is a stylized depiction of a horse's head, partially obscured by swirling patterns. The mosaic also incorporates various other motifs, including what appear to be leaves, spheres, and clusters of small figures or objects. The tiles are arranged in a textured, three-dimensional manner, with some protruding further than others, creating a dynamic surface. The mosaic is set against a background of large, rectangular stone tiles in muted beige and pinkish hues, with visible veining. The contrast between the intricate, multi-colored mosaic and the simpler stone facade is striking. Below the stone wall, a dark, textured band, possibly granite or a similar material, forms the base. The image appears to have been taken during daylight, with soft lighting that highlights the textures and colors of the mosaic. There are no people or obvious signs of activity in the frame, suggesting the artwork is a permanent installation. The style of the mosaic, with its geometric and somewhat surreal elements, hints at a modernist or Soviet-era artistic influence, common in public spaces in Central Asia. Given the location context of Tashkent, Uzbekistan, this artwork is likely a public sculpture or facade decoration. No text is visible in the image.

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Askar Dragon

Jun 26, 2026

Tashkent, Uzbekistan

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