A large, dark, biomechanical sculpture stands prominently in the foreground of an interior space located in Epagny, Switzerland

A large, dark, biomechanical sculpture stands prominently in the foreground of an interior space located in Epagny, Switzerland. The central subject is a reflective, high-gloss black humanoid figure featuring an elongated, smooth head with slit-like eye sockets, a pronounced ribbed and zipper-like central column running down its torso, and large, dark, wing-like structures extending from its back. Multiple buckle-like fasteners are symmetrically arranged along the torso's front. The environment includes a dark, exposed wooden beam ceiling overhead, equipped with track lighting and a projector. A bright light source is visible above the sculpture's head, causing a significant glare on its reflective surface. In the mid-ground, a clear acrylic or glass barrier separates the sculpture from a dark counter or display case. Visible on the counter are white documents, possibly brochures, and a credit card terminal. Behind the barrier to the left, a silver circular fan is present. Framed artworks, consistent with H.R. Giger's biomechanical style, are displayed on the wall behind the counter, one depicting human figures. A person wearing a dark garment is partially visible behind the counter to the left of the sculpture, with one hand visible near the counter surface. Other dark, abstract sculptural elements are partially discernible in the background.