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In a workshop in Kandahar, Afghanistan, a male artisan is depicted from the mid-torso upwards, actively operating a polishing machine. He wears a light-colored long-sleeved shirt and a blue, yellow, and red patterned head covering featuring the Arabic script "مبارک" (Mubarak). His gaze is directed downward, focused on the task at hand. His hands, with a ring visible on the left ring finger, hold a light-colored object against a rotating multi-layered polishing wheel. The polishing machine, a bench-mounted unit, and the wooden workbench supporting it are heavily coated in fine white dust, consistent with stone or marble polishing. Folded, dust-covered cloths are positioned beneath the machine. A white electrical cord extends from the machine's base. The background consists of a textured, unpainted light-colored concrete or plaster wall exhibiting areas of discoloration and wear. The scene portrays an active industrial workspace.
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