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In Arawa, Nigeria, an outdoor scene depicts a female subject seated on a light-colored concrete ledge adjacent to a concrete staircase. She is dressed in a black hijab, a black long-sleeved top, dark patterned trousers, and gold open-toed sandals. She holds a black mobile phone to her right ear, appearing to be in conversation and exhibiting a slight smile. The building wall behind her is light beige, displaying localized areas of paint degradation. Two windows with red frames and internal metal grilles are visible in the wall. A silver-colored metal handrail is mounted alongside the ascending staircase. The ground is surfaced with grey interlocking concrete pavers. Sunlight casts distinct shadows, consistent with foliage, onto the wall and ground. A small rectangular brown utility box and a metal spigot are affixed to the wall to the right of the subject, above a square concrete access cover on the paved ground.
Ida

Jan 5, 2026

Arawa, Nigeria

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In Arawa, Nigeria, an outdoor scene depicts a female subject seated on a light-colored concrete ledge adjacent to a concrete staircase. She is dressed in a black hijab, a black long-sleeved top, dark patterned trousers, and gold open-toed sandals. She holds a black mobile phone to her right ear, appearing to be in conversation and exhibiting a slight smile. The building wall behind her is light beige, displaying localized areas of paint degradation. Two windows with red frames and internal metal grilles are visible in the wall. A silver-colored metal handrail is mounted alongside the ascending staircase. The ground is surfaced with grey interlocking concrete pavers. Sunlight casts distinct shadows, consistent with foliage, onto the wall and ground. A small rectangular brown utility box and a metal spigot are affixed to the wall to the right of the subject, above a square concrete access cover on the paved ground.

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Ida

Jan 5, 2026

Arawa, Nigeria

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