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The scene is an indoor workshop located in Lafia, Nigeria. A male individual, visible from the mid-chest up, is engaged in a ceramic slip casting process. He has short dark hair and a beard, and wears a grey short-sleeved shirt. His right hand holds a light brown, circular bowl containing a light brown, viscous liquid (slip), which is actively being poured into a circular depression within a multi-part plaster mold. The mold, secured by dark straps, rests on a concrete floor and exhibits significant staining from dried clay. To the right of the mold, a black bucket is present, heavily splattered with dried light brown and white material. The background contains various pieces of pottery equipment, including wooden stands, a green dome-shaped object on a stand, and a pottery wheel apparatus. The concrete floor is visibly dusty and bears traces of dried clay. Natural light illuminates the workspace.
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