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The image depicts a curved display board with seven book covers affixed to its surface using what appears to be tape. The board is divided into vertical color blocks that transition from purple and blue on the top left, to red and orange in the middle, and green and yellow on the right. The book covers are arranged in a seemingly random fashion. The book covers and their respective authors are: "Música Concreta" by Amparo Dávila, "Operación Carlota Cuba en Angola" by Gabriel García Márquez, "Réquiem por Teresa" by Dante Liano, "Space Invaders" by Nona Fernández, "Viento de Primavera Antología Poética (1945-1979)" by Alaíde Foppa, "Como Tirar Contra La Muerte" by Juan Gelman, "Week-end en Guatemala" by Miguel Ángel Asturias, and "Los Privilegios del Olvido Antología Personal" by Piedad Bonnett. The display board is located indoors. The tiles can be seen on the floor indicating that the board is standing near the Caracas subway.
Nataly

Apr 18, 2026, 5:03 PM

Caracas, Venezuela

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The image depicts a curved display board with seven book covers affixed to its surface using what appears to be tape. The board is divided into vertical color blocks that transition from purple and blue on the top left, to red and orange in the middle, and green and yellow on the right. The book covers are arranged in a seemingly random fashion. The book covers and their respective authors are: "Música Concreta" by Amparo Dávila, "Operación Carlota Cuba en Angola" by Gabriel García Márquez, "Réquiem por Teresa" by Dante Liano, "Space Invaders" by Nona Fernández, "Viento de Primavera Antología Poética (1945-1979)" by Alaíde Foppa, "Como Tirar Contra La Muerte" by Juan Gelman, "Week-end en Guatemala" by Miguel Ángel Asturias, and "Los Privilegios del Olvido Antología Personal" by Piedad Bonnett. The display board is located indoors. The tiles can be seen on the floor indicating that the board is standing near the Caracas subway.

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Nataly

Apr 18, 2026, 5:03 PM

Caracas, Venezuela

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