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This media file shows a display in a museum in Banjarbaru, Indonesia. The display features a mannequin of a person, seemingly a prisoner or victim, wearing a striped shirt and pants and a black hood over their head. They are seated on the floor, with their knees drawn up and their hands clasped in front of them. The person's face is not visible due to the hood.

Scattered around the mannequin on the blue tiled floor are various tools, including hammers, metal rods, and wooden implements. Some of these tools have red diamond-shaped markers with white numbers on them, such as "15", "4", "14", "1", "7", "12", and "10". There is also a large wooden object with a metal component, possibly a tool or part of a restraint, positioned near the mannequin's left arm.

The scene appears to be set in a dimly lit room, with reflections on a glass barrier suggesting it is an exhibit behind a display case. The overall impression is one of hardship, confinement, or a historical representation of suffering. The lighting is not indicative of a specific time of day or weather conditions. The location context provided is Banjarbaru, Indonesia. The visible text includes numbers on red markers and "E-74" on the black object.
Eyachan

Jun 27, 2026, 5:03 AM

Banjarbaru, Indonesia

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This media file shows a display in a museum in Banjarbaru, Indonesia. The display features a mannequin of a person, seemingly a prisoner or victim, wearing a striped shirt and pants and a black hood over their head. They are seated on the floor, with their knees drawn up and their hands clasped in front of them. The person's face is not visible due to the hood. Scattered around the mannequin on the blue tiled floor are various tools, including hammers, metal rods, and wooden implements. Some of these tools have red diamond-shaped markers with white numbers on them, such as "15", "4", "14", "1", "7", "12", and "10". There is also a large wooden object with a metal component, possibly a tool or part of a restraint, positioned near the mannequin's left arm. The scene appears to be set in a dimly lit room, with reflections on a glass barrier suggesting it is an exhibit behind a display case. The overall impression is one of hardship, confinement, or a historical representation of suffering. The lighting is not indicative of a specific time of day or weather conditions. The location context provided is Banjarbaru, Indonesia. The visible text includes numbers on red markers and "E-74" on the black object.

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Eyachan

Jun 27, 2026, 5:03 AM

Banjarbaru, Indonesia

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