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A mid-shot photograph captures a single woman seated at a wooden table inside a restaurant identified as La Crêperie du Garet, located at 6 Rue du Garet, 69002 Lyon, France. The identification is based on the partial "Cata" sign visible above a doorway in the background. The woman, appearing middle-aged with shoulder-length brown hair and dark-framed eyeglasses, wears a dark, cape-style jacket over a dark purple top. She is seated on a black leather booth. Her left hand holds a black smartphone, resting on the table. In front of her is a black square plate containing a partially consumed savory crepe (galette) with ham, cheese, and green salad leaves, along with a silver fork and knife. The immediate background behind her features a section of geometric patterned wallpaper, a black wrought-iron decorative divider, and an exposed stone wall with a bright green wall-mounted object. A white plastic bag is visible on the seat to her left. The woman's expression is neutral, and her gaze is directed slightly off-camera to her right.
Sof

Oct 5, 2025

Lyon, France

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A mid-shot photograph captures a single woman seated at a wooden table inside a restaurant identified as La Crêperie du Garet, located at 6 Rue du Garet, 69002 Lyon, France. The identification is based on the partial "Cata" sign visible above a doorway in the background. The woman, appearing middle-aged with shoulder-length brown hair and dark-framed eyeglasses, wears a dark, cape-style jacket over a dark purple top. She is seated on a black leather booth. Her left hand holds a black smartphone, resting on the table. In front of her is a black square plate containing a partially consumed savory crepe (galette) with ham, cheese, and green salad leaves, along with a silver fork and knife. The immediate background behind her features a section of geometric patterned wallpaper, a black wrought-iron decorative divider, and an exposed stone wall with a bright green wall-mounted object. A white plastic bag is visible on the seat to her left. The woman's expression is neutral, and her gaze is directed slightly off-camera to her right.

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