The image displays an exterior view of the Church of Saint Anthony of Padua and an adjacent monastic or residential building in Cetinje, Montenegro, under a clear, bright blue sky

The image displays an exterior view of the Church of Saint Anthony of Padua and an adjacent monastic or residential building in Cetinje, Montenegro, under a clear, bright blue sky. Strong sunlight illuminates the scene, casting prominent, elongated shadows across the foreground. The building on the left, associated with the monastery, presents a light-colored, rough-hewn stone facade. It features multiple arched windows with dark frames; two are visible on the ground floor, flanking a dark, recessed entrance door on the far left. Upper levels also display arched windows. The roofline includes two distinct, dark-roofed dormer windows. To the right, the Church of Saint Anthony of Padua exhibits a similar light-colored stone construction. Its visible side elevation includes a large, tall arched window with distinctive green-tinted glass, positioned above which is a smaller circular window. The church's main facade, partially visible on the far right, features a tall bell tower structure culminating in a cross. A blue and white heraldic crest is affixed to the church wall near its entrance, from which stone steps descend. In the foreground, a landscaped garden area occupies the space between the viewer and the buildings. It comprises a central patch of green grass, bordered by beds of dark, cultivated soil on both the left and right sides. The soil beds contain sparse, dormant plant growth. On the grassy area, a miniature decorative display is arranged, featuring several small evergreen trees, multiple small, light-colored structures resembling houses or buildings, and a central manger-like structure containing small figures. These elements are set upon a moss-like ground cover, separated from the grass by a low, light-colored fence. A stone-paved walkway with irregular light-colored flagstones is visible on the far left, leading towards the dark entrance door of the adjacent building. No individuals are present in the scene, and no actions or interactions are depicted.