A framed artwork is centrally displayed against a dark, possibly charcoal gray or black, textured wall. The artwork itself is a rectangular print or poster with a light yellow background and a hand-drawn-style, irregular red border. Inside this border, black, handwritten-style Portuguese text is presented. The main text reads: "Chamar a luta Contra o RACISMO de RACISMO REVERSO me parece o mesmo que considerar CRIME a LEGÍTIMA DEFESA! ISSO É HIPOCRISIA PERVERSA" (translated: "Calling the fight Against RACISM 'REVERSE RACISM' seems to me the same as considering LEGITIMATE DEFENSE a CRIME! THAT IS PERVERSE HYPOCRISY"). Below the main text, thin, horizontal black and red lines are present. In the bottom-right corner, a signature, "Victor Arruda 22," is inscribed. The artwork is protected by glass, showing minor reflections from ambient lighting, particularly on the right side. In the bottom-left corner of the overall frame, a small, dark, rectangular object, possibly a display plaque, is partially visible. No individuals, actions, or interactions are present in the scene. The specific location within the city of São Paulo, Brazil, is not visually identifiable from the image. in São Paulo, Brazil

Mrv

Sep 1, 2025, 6:56 PM

São Paulo, Brazil

Stake attention in this memory

Outrage

Frustration

Anger

Defiance

Concern

A framed artwork is centrally displayed against a dark, possibly charcoal gray or black, textured wall. The artwork itself is a rectangular print or poster with a light yellow background and a hand-drawn-style, irregular red border. Inside this border, black, handwritten-style Portuguese text is presented. The main text reads: "Chamar a luta Contra o RACISMO de RACISMO REVERSO me parece o mesmo que considerar CRIME a LEGÍTIMA DEFESA! ISSO É HIPOCRISIA PERVERSA" (translated: "Calling the fight Against RACISM 'REVERSE RACISM' seems to me the same as considering LEGITIMATE DEFENSE a CRIME! THAT IS PERVERSE HYPOCRISY"). Below the main text, thin, horizontal black and red lines are present. In the bottom-right corner, a signature, "Victor Arruda 22," is inscribed. The artwork is protected by glass, showing minor reflections from ambient lighting, particularly on the right side. In the bottom-left corner of the overall frame, a small, dark, rectangular object, possibly a display plaque, is partially visible. No individuals, actions, or interactions are present in the scene. The specific location within the city of São Paulo, Brazil, is not visually identifiable from the image.

Loading AttnAds…

transactions

revenues

stakers

Earliest

Latest

Highest stake

No transactions found