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This media is licensed under the Creative Commons Attribution 4.0 International License. You are free to share and adapt it for any purpose, even commercially, as long as you provide attribution.
- Credit this media:
- "This image displays the interior of a modern coffee shop, identified by branded cups as "Café de la Mañana" located in San Andrés Cholula, Mexico" by FM-a4hKB2, licensed under CC BY 4.0
- Copy includes links when pasted into rich editors.
Memory Details and Interactions
This image displays the interior of a modern coffee shop, identified by branded cups as "Café de la Mañana" located in San Andrés Cholula, Mexico
This image displays the interior of a modern coffee shop, identified by branded cups as "Café de la Mañana" located in San Andrés Cholula, Mexico. The perspective is a slightly upward, wide-angle view of the service counter and a wall-mounted menu. In the foreground, a black commercial coffee grinder with a clear hopper filled with dark roasted coffee beans occupies the left. To the right, on a reflective stainless steel counter, rests a stack of white paper coffee cups visibly branded with "CAFÉ DE LA MAÑANA SAN ANDRÉS CHOLULA". Adjacent to these are a white ribbed ceramic bowl and several additional white paper cups. Further right, a portion of a large black commercial coffee machine, featuring a prominent funnel-shaped hopper, is visible. Below the counter, a black pour-over kettle and a small metal sink basin can be seen. A black object with "ECO" branding is partially visible on the far right. The background consists of a plain, light-colored wall. Mounted horizontally along this wall are several illuminated white menu boards with black text. These boards list various food categories in Spanish, including "TO EAT", "CHILAQUIL" (with specific dishes like Verde Alquimia, Rojos de Tentación, Morita Enigma, and prices ranging from $140 to $160), "OMELETTE", "BAKERY", "MANGIARE", "FOCACCIA", "ENSALADA", and "BAGUETTE". To the right of the menu boards, a neat arrangement of approximately eight framed black-and-white prints is displayed on the wall, beneath a series of black wall-mounted fixtures. The white ceiling is equipped with a black track lighting system featuring five visible cylindrical spotlights. The scene is well-lit with artificial light, presenting a clean, minimalist, and contemporary aesthetic characterized by a dominant color palette of white, black, and silver. There are no individuals, actions, or direct interactions depicted within the frame.
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