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This image depicts the interior of a hall within the Yonghegong Lama Temple, located in Beijing, China. Five weathered, dark-hued statues of seated Buddhist monks, likely Arhats or Luohan, are arranged in a row on a tiered stone pedestal. The figures display individual facial expressions and hand gestures; one on the far right holds a ceremonial staff. The pedestal features multiple layers of intricately carved stone with decorative motifs. Behind the statues is a plain, light-colored wall, above which a white dome-shaped security camera is mounted. The ceiling is a complex structure of wooden beams and brackets, richly painted with geometric patterns, floral designs, and possibly mythical creatures in vibrant red, blue, green, and gold. In the immediate foreground, a red wooden railing horizontally spans the lower portion of the frame, partially obscuring the base of the statues and the pedestal. A golden finial or architectural element is visible on the left side, adjacent to the railing.
marcela

Oct 22, 2025

Beijing, China

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This image depicts the interior of a hall within the Yonghegong Lama Temple, located in Beijing, China. Five weathered, dark-hued statues of seated Buddhist monks, likely Arhats or Luohan, are arranged in a row on a tiered stone pedestal. The figures display individual facial expressions and hand gestures; one on the far right holds a ceremonial staff. The pedestal features multiple layers of intricately carved stone with decorative motifs. Behind the statues is a plain, light-colored wall, above which a white dome-shaped security camera is mounted. The ceiling is a complex structure of wooden beams and brackets, richly painted with geometric patterns, floral designs, and possibly mythical creatures in vibrant red, blue, green, and gold. In the immediate foreground, a red wooden railing horizontally spans the lower portion of the frame, partially obscuring the base of the statues and the pedestal. A golden finial or architectural element is visible on the left side, adjacent to the railing.

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marcela

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