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In the interior courtyard of the Old Factory of the Cooperativa Agrària in Mataró, Spain, a display features vintage computing equipment and informational signage. The scene is dominated by exposed red brickwork and pale, textured walls, suggesting an industrial or historical setting.

On a white modular shelving unit to the left, an early model personal computer with a monochrome CRT monitor and keyboard is positioned. Next to it, on another white shelf, is a glass enclosure containing what appears to be a printer or a scanner, along with electronic components.

To the right of the display, a tall, wheeled informational kiosk stands. It is decorated with graphic designs and the number "4" prominently displayed. Text on the kiosk, in Catalan, reads "Zona intrusa 19 El problema és la pintura #3 Fem soroll" followed by dates and curator information.

The environment is characterized by arched doorways and the weathered textures of the walls and flooring, which is tiled with reddish-brown terracotta. No people are visible in the image. The lighting suggests it is daytime, with light filtering in from an unseen source.
Svetlana_Catalunya

Jul 22, 2026, 5:00 PM

Mataró, Spain

Stake attention in this memory

nostalgic
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In the interior courtyard of the Old Factory of the Cooperativa Agrària in Mataró, Spain, a display features vintage computing equipment and informational signage. The scene is dominated by exposed red brickwork and pale, textured walls, suggesting an industrial or historical setting. On a white modular shelving unit to the left, an early model personal computer with a monochrome CRT monitor and keyboard is positioned. Next to it, on another white shelf, is a glass enclosure containing what appears to be a printer or a scanner, along with electronic components. To the right of the display, a tall, wheeled informational kiosk stands. It is decorated with graphic designs and the number "4" prominently displayed. Text on the kiosk, in Catalan, reads "Zona intrusa 19 El problema és la pintura #3 Fem soroll" followed by dates and curator information. The environment is characterized by arched doorways and the weathered textures of the walls and flooring, which is tiled with reddish-brown terracotta. No people are visible in the image. The lighting suggests it is daytime, with light filtering in from an unseen source.

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