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A young female, appearing to be in Zovuni, Armenia, is captured in a mirror selfie inside what appears to be an indoor commercial or residential space. She stands centered, holding a dark-colored smartphone with a prominent camera array in her right hand, pointed towards her reflection. Her left hand is casually placed in the pocket of her wide-leg brown trousers. She wears a white tank top, a light grey off-the-shoulder button-up cardigan, and white sneakers. A dark brown cap covers her head, and she wears round-rimmed glasses, a delicate necklace, and a black elastic band on her left wrist. Her fingernails are long and painted white.

The interior environment, visible around and behind her reflection, features light beige and white walls, with sections of exposed, textured concrete ceiling. The floor is tiled in a grey, stone-like pattern. A large window, covered by translucent light beige curtains, allows natural light into the space. Through the window, an outdoor scene shows power lines, utility poles, and distant buildings, with what appears to be a cleared or construction area containing debris and possibly two individuals visible in the lower right reflection.

Inside the room, a reddish-brown leather armchair is prominent to the right of the subject, with another similar armchair partially visible further back. A dark purple portable record player sits on a dark shelf. A white utility box is mounted high on a wall, connected by a white cable to a white electrical outlet below. Another white electrical outlet and a white double light switch are visible on different wall sections. A silver, telescopic pole stands to the left, and a black textured bench or seat is partially visible near the floor. A brown leather bag rests on a surface, and a small purple ball is on the floor near an armchair.
FMARI

Feb 19, 2026

Zovuni, Armenia

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A young female, appearing to be in Zovuni, Armenia, is captured in a mirror selfie inside what appears to be an indoor commercial or residential space. She stands centered, holding a dark-colored smartphone with a prominent camera array in her right hand, pointed towards her reflection. Her left hand is casually placed in the pocket of her wide-leg brown trousers. She wears a white tank top, a light grey off-the-shoulder button-up cardigan, and white sneakers. A dark brown cap covers her head, and she wears round-rimmed glasses, a delicate necklace, and a black elastic band on her left wrist. Her fingernails are long and painted white. The interior environment, visible around and behind her reflection, features light beige and white walls, with sections of exposed, textured concrete ceiling. The floor is tiled in a grey, stone-like pattern. A large window, covered by translucent light beige curtains, allows natural light into the space. Through the window, an outdoor scene shows power lines, utility poles, and distant buildings, with what appears to be a cleared or construction area containing debris and possibly two individuals visible in the lower right reflection. Inside the room, a reddish-brown leather armchair is prominent to the right of the subject, with another similar armchair partially visible further back. A dark purple portable record player sits on a dark shelf. A white utility box is mounted high on a wall, connected by a white cable to a white electrical outlet below. Another white electrical outlet and a white double light switch are visible on different wall sections. A silver, telescopic pole stands to the left, and a black textured bench or seat is partially visible near the floor. A brown leather bag rests on a surface, and a small purple ball is on the floor near an armchair.

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FMARI

Feb 19, 2026

Zovuni, Armenia

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