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This black and white document, likely a scanned poster or artwork from Buenos Aires, Argentina, features a prominent title "THIS IS WHY PEOPLE O.D. ON PILLS/AND JUMP FROM THE GOLDEN GATE BRIDGE" in large, bold sans-serif typeface at the top and left side. The main body of the document contains detailed instructional text for a performance art piece, blending skateboarding with musical elements.

The text describes the piece, its duration, and "Directions" for participants. These directions involve learning to skateboard, meditating on physical sensations and surfaces, observing other skaters, composing an imaginary path, and correlating it with a chosen musical pitch and instrument. The content emphasizes deep engagement with the act of skateboarding, viewing it as a micro-detailed, performative exploration of urban environments and personal expression.

Visually, the document includes a large, dynamic black and white photograph of a skateboarder in mid-air, executing a trick on the left side, capturing a moment of intense action against a dark, indistinct background. To the right, three smaller, highly contrasted black and white abstract images appear, possibly depicting blurred motion, fragmented skateboard components, or shadows, adding to the raw, artistic aesthetic. The bottom right corner features "MILKER Corp. 2004" as a credit line, along with smaller, partially unreadable text referencing "unknown," "Wager Martin W," and "The Handsome Family." The overall aesthetic is stark, conceptual, and graphic, consistent with an experimental art project from the mid-2000s.
Froussio

Nov 25, 2025

Buenos Aires, Argentina

Stake attention in this memory

art installation
skateboarding
manifesto
text art
experimental music

This black and white document, likely a scanned poster or artwork from Buenos Aires, Argentina, features a prominent title "THIS IS WHY PEOPLE O.D. ON PILLS/AND JUMP FROM THE GOLDEN GATE BRIDGE" in large, bold sans-serif typeface at the top and left side. The main body of the document contains detailed instructional text for a performance art piece, blending skateboarding with musical elements. The text describes the piece, its duration, and "Directions" for participants. These directions involve learning to skateboard, meditating on physical sensations and surfaces, observing other skaters, composing an imaginary path, and correlating it with a chosen musical pitch and instrument. The content emphasizes deep engagement with the act of skateboarding, viewing it as a micro-detailed, performative exploration of urban environments and personal expression. Visually, the document includes a large, dynamic black and white photograph of a skateboarder in mid-air, executing a trick on the left side, capturing a moment of intense action against a dark, indistinct background. To the right, three smaller, highly contrasted black and white abstract images appear, possibly depicting blurred motion, fragmented skateboard components, or shadows, adding to the raw, artistic aesthetic. The bottom right corner features "MILKER Corp. 2004" as a credit line, along with smaller, partially unreadable text referencing "unknown," "Wager Martin W," and "The Handsome Family." The overall aesthetic is stark, conceptual, and graphic, consistent with an experimental art project from the mid-2000s.

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Froussio

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