This media file captures a circular icon of Saint Nicholas, the Archbishop of Myra in Lycia, displayed within a museum setting. The icon, featuring a haloed figure in ornate religious attire holding a book, is presented behind glass. The background of the icon is a warm, golden hue, contrasting with the darker green border. Below the icon, a descriptive placard is visible, partially obscured but containing text in both Russian and English. The English text identifies the icon as "Icon with St Nicholas the Archbishop of Myra in Lycia," attributing it to Timofey Diakunuv and dating it to 1728. It also notes its origin "From the Sovereign list of the church of the Three Saints (1763) of the Cathedral of the Epiphany of the Lord" and its acquisition by the State Museum of the History of Religion and Atheism of the USSR in 1956. The museum setting is evident from the display case, the polished wooden floor in the background, and other museum exhibits visible in the distance, including other icons and religious artifacts. The lighting appears to be artificial, typical of a museum environment. The overall scene suggests a cultural exhibition focused on religious art. in Saint Petersburg, Russia

Sorr0w6♡

Jul 14, 2026, 2:21 PM

Saint Petersburg, Russia

Stake attention in this memory

reverent

historical

solemn

spiritual

devotional

This media file captures a circular icon of Saint Nicholas, the Archbishop of Myra in Lycia, displayed within a museum setting. The icon, featuring a haloed figure in ornate religious attire holding a book, is presented behind glass. The background of the icon is a warm, golden hue, contrasting with the darker green border. Below the icon, a descriptive placard is visible, partially obscured but containing text in both Russian and English. The English text identifies the icon as "Icon with St Nicholas the Archbishop of Myra in Lycia," attributing it to Timofey Diakunuv and dating it to 1728. It also notes its origin "From the Sovereign list of the church of the Three Saints (1763) of the Cathedral of the Epiphany of the Lord" and its acquisition by the State Museum of the History of Religion and Atheism of the USSR in 1956. The museum setting is evident from the display case, the polished wooden floor in the background, and other museum exhibits visible in the distance, including other icons and religious artifacts. The lighting appears to be artificial, typical of a museum environment. The overall scene suggests a cultural exhibition focused on religious art.

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