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The image displays a heavily used and soiled makeup palette resting against a light grey wall, in Buenos Aires, Costa Rica. The palette is black, irregularly shaped, and shows significant accumulation of dust, grime, and cosmetic residue. It is organized into several sections containing various makeup items. The top section features multiple rows of small, rectangular pans, primarily containing eyeshadows in a diverse range of colors including greens, blues, purples, browns, reds, and metallic shades, many showing signs of heavy use or depletion. Below this, several larger circular pans are visible, some appearing to be empty metallic inserts, while others contain remnants of compact powders or blushes in shades of pink and brown. The central-lower part of the palette holds a grid of rectangular pans, likely compact powders or foundations, in various skin-toned shades such as beige, light brown, and pinkish-beige, all heavily worn and smudged. To the bottom left, a section contains smaller, rectangular pans filled with what appears to be lip color or cream blushes, predominantly in shades of red and maroon. Small, light-colored labels or pieces of paper, some partially legible with text like "COMPACT POUDRE," are scattered among the pans. No people are visible, and no actions or interactions are taking place. The environment suggests an indoor setting with a simple, unadorned wall as the background.
Ruud olivers

Sep 24, 2025

Buenos Aires, Costa Rica

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The image displays a heavily used and soiled makeup palette resting against a light grey wall, in Buenos Aires, Costa Rica. The palette is black, irregularly shaped, and shows significant accumulation of dust, grime, and cosmetic residue. It is organized into several sections containing various makeup items. The top section features multiple rows of small, rectangular pans, primarily containing eyeshadows in a diverse range of colors including greens, blues, purples, browns, reds, and metallic shades, many showing signs of heavy use or depletion. Below this, several larger circular pans are visible, some appearing to be empty metallic inserts, while others contain remnants of compact powders or blushes in shades of pink and brown. The central-lower part of the palette holds a grid of rectangular pans, likely compact powders or foundations, in various skin-toned shades such as beige, light brown, and pinkish-beige, all heavily worn and smudged. To the bottom left, a section contains smaller, rectangular pans filled with what appears to be lip color or cream blushes, predominantly in shades of red and maroon. Small, light-colored labels or pieces of paper, some partially legible with text like "COMPACT POUDRE," are scattered among the pans. No people are visible, and no actions or interactions are taking place. The environment suggests an indoor setting with a simple, unadorned wall as the background.

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Ruud olivers

Sep 24, 2025

Buenos Aires, Costa Rica

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