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A full-frame, eye-level shot captures a large-scale art installation consisting of hundreds of weathered animal skulls, primarily sheep skulls, meticulously arranged in dense, overlapping rows and columns. The skulls, ranging in color from off-white to light tan, are individually suspended, likely by thin wires or cords, from a background of vertically oriented greyish-brown wooden planks. Each skull features visible eye sockets, nasal cavities, and cranial sutures, with some exhibiting remnants of horn cores. The installation, titled "The Wall of Skulls" or "Hodeskalleveggen" by Matias Faldbakken, is located at the entrance of the National Museum of Art, Architecture and Design (Nasjonalmuseet) in Oslo, Norway. No people are visible, and the scene is static, depicting only the arrangement of the skulls against the wooden support.
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Nov 12, 2025

Oslo, Norway

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A full-frame, eye-level shot captures a large-scale art installation consisting of hundreds of weathered animal skulls, primarily sheep skulls, meticulously arranged in dense, overlapping rows and columns. The skulls, ranging in color from off-white to light tan, are individually suspended, likely by thin wires or cords, from a background of vertically oriented greyish-brown wooden planks. Each skull features visible eye sockets, nasal cavities, and cranial sutures, with some exhibiting remnants of horn cores. The installation, titled "The Wall of Skulls" or "Hodeskalleveggen" by Matias Faldbakken, is located at the entrance of the National Museum of Art, Architecture and Design (Nasjonalmuseet) in Oslo, Norway. No people are visible, and the scene is static, depicting only the arrangement of the skulls against the wooden support.

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Nov 12, 2025

Oslo, Norway

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