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A person is depicted from behind, standing outdoors near a glass-fronted entrance in Sarimulyo, Indonesia. The individual wears a light peach baseball cap, clear-rimmed glasses, a light blue short-sleeved collared shirt, and a long dark blue denim skirt. Their dark hair is pulled back into a ponytail. Both hands are actively engaged with a black smartphone, suggesting interaction with its screen. An orange strap from a shoulder bag crosses their back, with a light-colored bag visible on their right hip.

To the left, a glass door features a silver pull handle with vertically printed Indonesian text "TARIK" and English text "PULL." Below these labels, "BRI," "BRIZZI," and "BRIZZI PLUS" logos are present, indicating a Bank Rakyat Indonesia (BRI) facility. Reflections on the glass door show the lower legs and feet of individuals inside, some wearing sandals, and a metallic cylindrical object. Through the glass, distorted interior details, including advertisements, are partially visible. The ground is a light-colored tiled surface, with a dark blue rectangular doormat positioned in the lower-left foreground. To the right of the subject, a patterned glass panel with a repetitive geometric design forms part of the building's facade.
Luckyman

Feb 21, 2026

Sarimulyo, Indonesia

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A person is depicted from behind, standing outdoors near a glass-fronted entrance in Sarimulyo, Indonesia. The individual wears a light peach baseball cap, clear-rimmed glasses, a light blue short-sleeved collared shirt, and a long dark blue denim skirt. Their dark hair is pulled back into a ponytail. Both hands are actively engaged with a black smartphone, suggesting interaction with its screen. An orange strap from a shoulder bag crosses their back, with a light-colored bag visible on their right hip. To the left, a glass door features a silver pull handle with vertically printed Indonesian text "TARIK" and English text "PULL." Below these labels, "BRI," "BRIZZI," and "BRIZZI PLUS" logos are present, indicating a Bank Rakyat Indonesia (BRI) facility. Reflections on the glass door show the lower legs and feet of individuals inside, some wearing sandals, and a metallic cylindrical object. Through the glass, distorted interior details, including advertisements, are partially visible. The ground is a light-colored tiled surface, with a dark blue rectangular doormat positioned in the lower-left foreground. To the right of the subject, a patterned glass panel with a repetitive geometric design forms part of the building's facade.

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Luckyman

Feb 21, 2026

Sarimulyo, Indonesia

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